“The authentic pop artist offers a coincidence of style and subject, that is, he represents mass-produced images and objects by using a style which is also based upon the visual vocabulary of mass production.”
—Robert Rosenblum, from Pop Art and Non-Pop Art, 1964
Tyondai Braxton and Daniel Wohl, composers, performers, and experimental electronic musicians, create immersive works that draw from a variety of sound sources. Both artists explore the purposes and possibilities of pop production by subjecting those sounds and practices to the unique rigor demanded from classical composition.
Formerly the front man of experimental-rock favorite Battles, Braxton creates works of mind-blowing scope, ranging from intimate solo pieces to large-scale symphonic works, incorporating electronic and modern orchestral elements. His critically acclaimed album Central Market has been performed by orchestras around the world including the London Sinfonietta and the LA Phil, and his new multimedia installation HIVE recently premiered at the Guggenheim Museum in New York City and was released on Nonesuch Records. Fresh from a duo collaboration with Philip Glass, Braxton brings this ecstatic solo show to Callings Out of Context, exploiting the edges of our ability to perceive the nuances of pop music production and pushing through the chasm of digital music to rediscover the human.
Wohl thrives on the forefront of the electro-acoustic, conjuring “boldly surreal aural experiences” (The New York Times), that ask the most of our timbral memory. Intensely rhythmic and elegiac in bursts, Wohl's latest album Holographic (New Amsterdam Records) ambitiously strives to close the gap between his classical background and the ever-evolving electronic music scene. In a premiere performance, the entirety of Holographic will be played live by a band of eight musicians.
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Watch the official album trailer for Daniel Wohl's new album Holographic
Watch Tyondai Braxton's live performance of HIVE in New York