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Julie Mehretu - Congress, 2003, ink and acrylic on canvas
Julie Mehretu, 2003
Congress
On View
Joseph Beuys - Hasenblut (Hare's Blood), 1971, plastic envelope containing approx. four cc hare's blood, mounted with adhesive bandage on heavy paper
Joseph Beuys, 1971
Hasenblut (Hare's Blood)
On View
Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83
Photo-Editionen (Photo Editions)
On View
Joseph Beuys - Holzschnitte: Hirschkuh (Woodcuts:Hind), 1948/1973-74, woodcut, hand-printed in brown on wove, in portfolio
Joseph Beuys, 1948/1973-74
Holzschnitte: Hirschkuh (Woodcuts:Hind)
On View
Andy Warhol - Dishwasher, 1960, ink on paper
Andy Warhol, 1960
Dishwasher
On View
Joseph Beuys - Magnetische Postkarte (Magnetic Postcard), 1975, sheet iron with raised, impressed lettering, magnet, stamped
On View
Joseph Beuys - Silberbesen und Besen ohne Haare (Silver Broom and Broom without Bristles), 1972, broom (wood and horsehair), encased in 1 mm silver sheet; solid copper, felt
On View
Andy Warhol - Big Electric Chair, 1967-68, acrylic and silkscreen ink on linen
Andy Warhol, 1967-68
Big Electric Chair
On View
Mark Bradford - Helter Skelter I, 2007, mixed media on canvas
Mark Bradford, 2007
Helter Skelter I
On View
Joseph Beuys - Nordpol aus der Suite Tränen (North Pole from Suite Tears), 1985, etching on thin paper laid down on gray wove
On View
Joseph Beuys - ohne Titel, aus dem Fünf Lithographien (Untitled, from the portfolio Five Lithographs), 1977, lithograph on wove
On View
Joseph Beuys - Suite Zirkulationszeit: Zirkulationszeit (Suite Circulation Time: Circulation Time), 1982, etching à la poupée on white wove
On View
Jean‐Michel Basquiat - Untitled, 1981, acrylic, oilstick, paper collage and spray paint on canvas
Jean‐Michel Basquiat, 1981
Untitled
On View
Joseph Beuys - Russische Bilder (Russian Pictures), 1984, packing paper with handwritten addition
On View
Joseph Beuys - Objekt zum Schmieren und Drehen (Object to Smear and Turn), 1972, tin can, lubrication grease, screwdriver, oil paint (Browncross)
On View
George Condo - Dancing to Miles, 1985-86, oil on canvas
George Condo, 1985-86
Dancing to Miles
On View
Joseph Beuys - Bitterfelder Telegramm (Bitterfeld Telegram), 1979, telegraph form, stamped
On View
Joseph Beuys - Schlitten (Sled), 1969, wooden sled, felt, belts, flashlight, fat and rope; sled stamped with oil paint (Browncross)
Joseph Beuys, 1969
Schlitten (Sled)
On View
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper
On View
Joseph Beuys - Fettzeitung (Fat Magazine), 1973, Essen und Trinken magazine in printed transparent cover, stamped in blue (Bluecross); center pages with fat
Joseph Beuys, 1973
Fettzeitung (Fat Magazine)
On View
Joseph Beuys - Heidelberg (Tiber), 1970, proof sheet; offset on cardstock, with handwritten inscription, with several stamps
Joseph Beuys, 1970
Heidelberg (Tiber)
On View
Thomas Struth - Neutral Buoyancy Lab, JSC, Houston, 2017, chromogenic print
On View
Joseph Beuys - Der Morgen I (The Morning I), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982
Der Morgen I (The Morning I)
On View
Joseph Beuys - Sciora, 1982, book by Dirk Rochtus and Joseph Beuys
Joseph Beuys, 1982
Sciora
On View
Joseph Beuys - So kann die Parteiendiktatur überwunden werden (How the Dictatorship of the Parties Can Be Overcome), 1971, printed polyethylene shopping bag with information sheets and felt object
On View
Joseph Beuys - Suite Schwurhand: Zelt und Lichstrahl (Suite Oath Hand: Tent and Ray), 1980, aquatint and lithograph on paper laid down on gray Arches wove
On View
Joseph Beuys - Mottenschaden (Moth Damage), 1978, felt letter, cut and mounted on cardboard
Joseph Beuys, 1978
Mottenschaden (Moth Damage)
On View
Joseph Beuys - Suite Zirkulationszeit: Kreuz des Saturn (Suite Circulation Time: Cross of Saturn), 1982, etching and drypoint on white wove
On View
Joseph Beuys - Suite Schwurhand: mit Fett gefüllte Skulptur (Suite Oath Hand: Fat-Filled Sculpture), 1980, aquatint and lithograph on paper laid down on gray Rives wove
On View
Joseph Beuys - Suite Zirkulationszeit: die Mütter (Suite Circulation Time: The Mothers), 1982, etching on white wove
On View