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Cindy Sherman - Untitled #124, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #124

Timothy Greenfield‐Sanders - Portrait of Malcolm Morley, 1990, black and white photograph
Timothy Greenfield‐Sanders, 1990

Portrait of Malcolm Morley

Joseph Beuys - Steinhase (Stone Hare), 1982, color photograph
Joseph Beuys, 1982

Steinhase (Stone Hare)

Joseph Beuys - Hasengrab I (Hare's Grave I), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Hasengrab I (Hare's Grave I)

Pat York - Edythe L. Broad, 2007, color photograph
Pat York, 2007

Edythe L. Broad

Joseph Beuys - C'est la fin de la fin des Latins, 1982, metal sign with baked enamel
Imi Knoebel - o.T. (Hartfaserbild 85-23), 1985, acrylic / masonite
Imi Knoebel, 1985

o.T. (Hartfaserbild 85-23)

Joseph Beuys - ich kenne kein Weekend (I Know No Weekend), 1971-72, sauce bottle and book by Kant, Kritik der reinen Vernunft (Critique of Pure Reason), mounted in briefcase
Joseph Beuys - Suite Zirkulationszeit: Meerengel die Seegurke (Suite Circulation Time: Sea Angel Sea Cucumber), 1982, etching and aquatint on white wove
Chuck Close - Robert Rauschenberg, 1996, four color digital ink jet prints mounted to aluminum panel
Chuck Close, 1996

Robert Rauschenberg

Timothy Greenfield‐Sanders - Portrait of Gerhard Richter, 1991, black and white photograph
Timothy Greenfield‐Sanders, 1991

Portrait of Gerhard Richter

Joseph Beuys - Tafel I (Blackboard I), 1980, silkscreen on cardstock
Joseph Beuys, 1980

Tafel I (Blackboard I)

Joseph Beuys - Botanischer Wahnsinn (Botanical Madness), 1976, collotype on cardstock
Anselm Kiefer - Für René Char, 1988, original photograph on treated lead in a glazed steel frame
Anselm Kiefer, 1988

Für René Char

John Ahearn and Rigoberto Torres - Samson, 1990, oil on fiberglass
John Ahearn and Rigoberto Torres, 1990

Samson

Ed Ruscha - Heavy Industry, 1962, oil and pencil on canvas
Ed Ruscha, 1962

Heavy Industry

On View
Joseph Beuys - Elch in der Strömung (Elk in the Current), 1985, silkscreen on cardstock
Peter Halley - Freudian Painting, 1981, acrylic and Roll-a-Tex on unprimed canvas
Peter Halley, 1981

Freudian Painting

Lari Pittman - Pathos, Ethos, Logos, Kairos #4, 2017, cel vinyl and spray paint over linen mounted on wood panel
Lari Pittman, 2017

Pathos, Ethos, Logos, Kairos #4

On View
John Baldessari - White Truffle Soup, 2012, multi-color screenprint
John Baldessari, 2012

White Truffle Soup

Joan Miró - Painting, March 13, 1933, 1933, oil on canvas
Joan Miró, 1933

Painting, March 13, 1933

Joseph Beuys - Auguren (Augurs), 1982, color offset on cardstock
Joseph Beuys, 1982

Auguren (Augurs)

Jasper Johns - Flag, 1967, encaustic and collage on canvas (three panels)
Jasper Johns, 1967

Flag

On View
Cecily Brown - Tender is the Night, 1999, oil on linen
Cecily Brown, 1999

Tender is the Night

Joseph Beuys - Schlitten (Sled), 1969, wooden sled, felt, belts, flashlight, fat and rope; sled stamped with oil paint (Browncross)
Joseph Beuys, 1969

Schlitten (Sled)

Robert Rauschenberg - Flaps (Marrakitch), 2000, screenprint on paper
Robert Rauschenberg, 2000

Flaps (Marrakitch)

Andy Warhol - Most Wanted Men No. 6, Thomas Francis C., 1964, silkscreen ink on linen
On View
Jordan Wolfson - (Female figure), 2014, mixed media
Jordan Wolfson, 2014

(Female figure)

Kara Walker - Treesum, 1998, coffee and gouache on paper
Kara Walker, 1998

Treesum

Joseph Beuys - Plakat-Kreuz Friedensfeier (Poster-Cross Peace Celebration), 1972, photocopies mounted on cardboard with handwritten text by Jonas Hafner, stamped; in plastic sheet with colored yarn