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Terry Winters - Viewing Transformations 1, 1993, acrylic on paper
Terry Winters, 1993

Viewing Transformations 1

Neo Rauch - Heillichtung, 2014, oil on canvas
Neo Rauch, 2014

Heillichtung

Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper
Joseph Beuys - Der Unbesiegbare (The Invincible), 1979, poster, silkscreen on paper
John Baldessari - Noses & Ears, Etc.: The Gemini Series: Two Profiles, One with Nose (B&W); One with Ear (B&W), 2006, two-layer, seven-color screenprint; mounted to Sintra and framed
Alexander Calder - Untitled, unknown, print
Alexander Calder, unknown

Untitled

Eric Fischl - Eli, 2004, oil on linen
Eric Fischl, 2004

Eli

Mark Innerst - View of the River, 1988, oil on acrylic on board
Mark Innerst, 1988

View of the River

Andrew Lord - Jug, Vase, and Dish/Round to Angles/Grey, 1984-85, glazed earthenware, three pieces
David Wojnarowicz - The Newspaper as National Voodoo: A Brief History of the U.S.A., 1986, acrylic, spray paint, and collage on wood
Richard Prince - Another Girl, 2008, collage and acrylic on canvas
Richard Prince, 2008

Another Girl

Joseph Beuys - Food for Thought, 1977, offset on gray machine-made wove, stamped, with grease spot
Joseph Beuys, 1977

Food for Thought

Glenn Ligon - Warm Broad Glow II, 2011, neon, paint, and powder coated aluminum
Glenn Ligon, 2011

Warm Broad Glow II

Thomas Struth - Aquarium, Atlanta, Georgia, 2013, chromogenic print
Thomas Struth, 2013

Aquarium, Atlanta, Georgia

Alexander Calder - The Brass Gong, 1948, painted sheet metal and rod with brass disc
Alexander Calder, 1948

The Brass Gong

Andy Warhol - Twenty Jackies, 1964, silkscreen ink on linen
Andy Warhol, 1964

Twenty Jackies

On View
Cy Twombly - Untitled (Rome), 1987, bronze
Cy Twombly, 1987

Untitled (Rome)

On View
John Ahearn and Rigoberto Torres - Samson, 1990, oil on fiberglass
John Ahearn and Rigoberto Torres, 1990

Samson

Joseph Beuys - mit Schwefel überzogene Zinkkiste [tamponierte Ecke] (Sulphur-Covered Zinc Box (Plugged Corner)), 1970, sheet zinc, sulphur, gauze; stamped
Joseph Beuys - Der Schamane (The Shaman), 1984, silkscreen on cardstock
Joseph Beuys, 1984

Der Schamane (The Shaman)

Andreas Gursky - Sao Paulo, Sé, 2002, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2002

Sao Paulo, Sé

Joseph Beuys - Suite Schwurhand: Blitz und Bienenkönigin (Suite Oath Hand: Lightning and Queen Bee), 1980, aquatint and lithograph on paper laid down on gray Rives wove
Joseph Beuys - Naturerfahrung in Afrika, 1980, 16 color photographs mounted on black cardstock
Joseph Beuys, 1980

Naturerfahrung in Afrika

Andy Warhol - One-Dollar Bill, 1962, pencil, crayon and gouache on paper
Andy Warhol, 1962

One-Dollar Bill

Joseph Beuys - Iphigenie (Iphigenia), 1973, silkscreen on gold-colored vinyl sheet
Joseph Beuys, 1973

Iphigenie (Iphigenia)

Kara Walker - The White Power 'Gin/Machine to Harvest the Nativist Instinct for Beneficial Uses to Border Crossers Everywhere, 2019, soft pastel, charcoal, and oil sticks on paper; graphite and ink on paper
Anselm Kiefer - Nürnberg, 1982, oil, straw, and mixed media on canvas
Anselm Kiefer, 1982

Nürnberg

Jasper Johns - 0 - 9, 2008, aluminum (two sided) with aluminum base
Jasper Johns, 2008

0 - 9

Joseph Beuys - La rivoluzione siamo Noi (We Are the Revolution), 1972, offset on cardstock, stamps reproduced
Sharon Lockhart - Enrique Nava Enedina: Oaxaca Exhibit Hall, National Museum of Anthropology, Mexico City, 1999, three framed chromogenic prints