Browse the Collection

browse the collection

Robbie Conal - Damage Control, 1991, offset lithographic poster
Robbie Conal, 1991
Philip Taaffe - Imaginary City, 1996, mixed media on canvas
Philip Taaffe, 1996
Timothy Greenfield‐Sanders - Portrait of Jasper Johns, 1988, black and white photograph
Timothy Greenfield‐Sanders, 1988
Jeff Koons - Antiquity (Daughters of Leucippus), 2010-2012, oil on canvas
Jeff Koons, 2010-2012
Cindy Sherman - Untitled #409, 2002, chromogenic silver print
Cindy Sherman, 2002
Bryan Hunt - Untitled, 1975, gold leaf on silk paper, balsa and spruce wood
Bryan Hunt, 1975
Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978
Ed Ruscha - JET BABY, 2011, lithograph
Ed Ruscha, 2011
David Hammons - African-American Flag, 1990, dyed cotton
David Hammons, 1990
On View
Neo Rauch - Die Stickerin, 2008, oil on canvas
Neo Rauch, 2008
Chuck Close - April, 1990-91, oil on canvas
Chuck Close, 1990-91
Sherrie Levine - Untitled (The Bachelors: "Larbin"), 1989, frosted glass and vitrine
Sherrie Levine, 1989
Joseph Beuys - Suite Schwurhand: Goldskulptur, 1980, aquatint and lithograph on paper laid down on gray Rives wove
Joseph Beuys, 1980
David McDermott and Peter McGough - Rub-a-Dub-Dub...Three Boys and One Tub 1937, 1986, oil on linen and wood
David McDermott and Peter McGough, 1986
Cindy Sherman - Untitled #131, 1983, chromogenic color print
Cindy Sherman, 1983
Joseph Beuys - Initiation Gauloise, 1976, color lithograph on cardstock, stamped
Joseph Beuys, 1976
Jasper Johns - Savarin 5 (Corpse and Mirror), 1978-79, lithograph on Richard de Bas paper
Jasper Johns, 1978-79
Robert Therrien - No title (bronze pitcher), 1985, nickel on bronze
Robert Therrien, 1985
Joseph Beuys - Beuys in Gewitter, 1983, color photocopy reworked by hand
Joseph Beuys, 1983
Timothy Greenfield‐Sanders - Portrait of Richard Artschwager, 1992, black and white photograph
Timothy Greenfield‐Sanders, 1992
Jasper Johns - Ventriloquist, 1985, lithograph, eight aluminum plates
Jasper Johns, 1985