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Mark Innerst - Daylight Savings (View from Manhattan minus the Empire State Building and The World Trade Center), 1986, oil on acrylic on board
Ed Ruscha - Strong, Healthy, 1987, acrylic on canvas
Ed Ruscha, 1987
Strong, Healthy
Terry Winters - Kink Instability, 1995, graphite on paper
Terry Winters, 1995
Kink Instability
Jenny Holzer - Survival: With all the holes . . ., 1989, Indian red granite bench
Jeff Koons - Antiquity (Ariadne Titian Bacchus Popcorn), 2012-2014, oil on canvas
Jasper Johns - Savarin 2 (Wash and Line), 1978-79, lithograph on Richard de Bas paper
Jasper Johns, 1978-79
Savarin 2 (Wash and Line)
Ed Ruscha - I HADN'T DONE NO LAUNDRY, 2011, acrylic on vellum
Ed Ruscha, 2011
I HADN'T DONE NO LAUNDRY
William Kentridge - Drawing for 'Other Faces', 2011, charcoal and colored pencil on on paper
William Kentridge, 2011
Drawing for 'Other Faces'
John Baldessari - Sediment (Part Two): Hand, Ladle, Spaghetti, Pot, Plate and Chair, 2010, varnished archival print on canvas with oil and acrylic paint
Joseph Beuys - Doppelpferd (Double Horse), 1985, offset and silkscreen on heavy paper
Joseph Beuys, 1985
Doppelpferd (Double Horse)
Cindy Sherman - Untitled #193, 1989, chromogenic color print
Cindy Sherman, 1989
Untitled #193
Jasper Johns - Untitled, 1975, oil and encaustic on canvas (four panels)
Jasper Johns, 1975
Untitled
Joseph Beuys - Stimmzettel (Ballot), 1980, ballot paper stamped
Joseph Beuys, 1980
Stimmzettel (Ballot)
Bernd and Hilla Becher - Water Towers, 1972, nine black and white photographs
Bernd and Hilla Becher, 1972
Water Towers
Andy Warhol - The Nation's Nightmare, 1951, ink on paper
Andy Warhol, 1951
The Nation's Nightmare
On View
Glenn Ligon - Untitled: Four Etchings, 1992, four softground etching, aquatint, spit bite and sugarlifts on paper
Glenn Ligon, 1992
Untitled: Four Etchings
Andreas Gursky - F1 Boxenstopp II, 2007, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2007
F1 Boxenstopp II
Joseph Beuys - Letter from London, 1977, lithograph on wove, mounted on wooden panel, stamped
Joseph Beuys, 1977
Letter from London
Joseph Beuys - Suite Schwurhand: Wandernde Kiste 4, 1980, lithograph on paper laid down on gray Rives wove
Paul Pfeiffer - Four Horsemen of the Apocalypse #17, 2004, Fuji Digital chromogenic print
Leon Golub - Mercenaries V, 1984, acrylic on linen
Leon Golub, 1984
Mercenaries V
Joseph Beuys - Bonnefanten, 1975, offset on cardstock, stamps reproduced
Joseph Beuys, 1975
Bonnefanten
Frank Stella - De Beers, 1982, wall relief of honeycomb aluminum
Frank Stella, 1982
De Beers
Susan Rothenberg - Untitled #152, 1981, charcoal on paper
Susan Rothenberg, 1981
Untitled #152
Joseph Beuys - Celtic + ~~~~, 1971, film (Super 8); ten photographs, bottle with gelatin, beeswax in cloth covered box, stamped with brown paint (Browncross)
Joseph Beuys, 1971
Celtic + ~~~~
Joseph Beuys - Erdtelephon (Earth Telephone), 1973, silkscreen on felt board
Joseph Beuys, 1973
Erdtelephon (Earth Telephone)
Terry Winters - Source Wave Reference, 1999, oil on linen
Terry Winters, 1999
Source Wave Reference
Cindy Sherman - Untitled #361, 2000, chromogenic color print
Cindy Sherman, 2000
Untitled #361
Keith Haring - Untitled, 1984, acrylic on canvas
Keith Haring, 1984
Untitled
Joseph Beuys - Ölkanne F.I.U. (Oil Can F.I.U.), 1980, metal can containing a small amount of olive oil, stamped