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Joseph Beuys - Blutaktion (Blood Action), 1982, color photocopy of photograph by Alfred Kerger
Joseph Beuys, 1982
Blutaktion (Blood Action)
Joseph Beuys - Der Morgen I (The Morning I), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982
Der Morgen I (The Morning I)
Joseph Beuys - Intuition, 1968, wooden box with pencil drawing
Joseph Beuys, 1968
Intuition
John McCracken - Flare, 2008, polyester resin, fiberglass, and plywood
John McCracken, 2008
Flare
Leon Golub - Four Blacks, 1985, acrylic on canvas
Leon Golub, 1985
Four Blacks
Jeff Koons - St. John the Baptist, 1988, porcelain
Jeff Koons, 1988
St. John the Baptist
Doug Aitken - west, 2008, Aluminum lightbox, Neon, acrylic
Doug Aitken, 2008
west
Tom Otterness - The Negotiation, 1994, bronze
Tom Otterness, 1994
The Negotiation
David Wojnarowicz - Some Things from Sleep: For Jane and Charley, 1986, acrylic on masonite
Joseph Beuys - Katalog Museum Mönchengladbach (Mönchengladbach Museum Catalogue), 1967, Catalogue-box, felt piece stamped with oil paint (Browncross), two accordion folded sheets, booklet
Robbie Conal - Something Fishy, 1987, offset lithographic poster
Robbie Conal, 1987
Something Fishy
William Kentridge - Drawing for 'Other Faces', 2011, charcoal and colored pencil on on paper
William Kentridge, 2011
Drawing for 'Other Faces'
Nathaniel Mary Quinn - Pure Insecurity, 2019, oil paint, paint stick, gouache, soft pastel on linen canvas
Nathaniel Mary Quinn, 2019
Pure Insecurity
Jordan Wolfson - (Female figure), 2014, mixed media
Jordan Wolfson, 2014
(Female figure)
Toba Khedoori - Untitled, 1993, oil and wax on paper in three parts
Toba Khedoori, 1993
Untitled
Anselm Kiefer - Am Rhein, 1968-91, photograph on treated lead in a glazed steel frame
Anselm Kiefer, 1968-91
Am Rhein
Richard Artschwager - Tank, 1991, Formica and acrylic on fiber panel and wood with painted wood and formica artist's frame
Richard Artschwager, 1991
Tank
William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Kara Walker - The White Power 'Gin/Machine to Harvest the Nativist Instinct for Beneficial Uses to Border Crossers Everywhere, 2019, soft pastel, charcoal, and oil sticks on paper; graphite and ink on paper
Joseph Beuys - Paß für Eintritt in die Zukunft (Passport for Entry into the Future), 1974, pencil on writing paper
Ellsworth Kelly - Blue Red, 1968, oil on canvas, two joined panels
Ellsworth Kelly, 1968
Blue Red
Joseph Beuys - L'arte è una zanzara dalle mille ali (Art is a mosquito with a thousand wings), 1981, one of four photoetchings on wove in cloth portfolio
Ed Ruscha - JET BABY, 2011, lithograph
Ed Ruscha, 2011
JET BABY
Gregory Crewdson - Untitled, Summer 2006, digital pigment print
Gregory Crewdson, Summer 2006
Untitled
Ellsworth Kelly - Green Blue Red, 1963, oil on canvas
Ellsworth Kelly, 1963
Green Blue Red
Bernd and Hilla Becher - Water Towers, 1972, nine black and white photographs
Bernd and Hilla Becher, 1972
Water Towers
Jean‐Michel Basquiat - Gold Griot, 1984, acrylic and oilstick on wood
Jean‐Michel Basquiat, 1984
Gold Griot
On View
Cindy Sherman - Untitled #397, 2000, chromogenic color print
Cindy Sherman, 2000
Untitled #397
Joseph Beuys - Honigpumpe (Honeypump), 1985, cardboard box with publication, silkscreen print, tape cassette, and fifteen photographs
Joseph Beuys, 1985
Honigpumpe (Honeypump)
Ellen Gallagher - Watery Ecstatic Series, 2004, 12 drawings: watercolor, ink, oil, pencil and cut paper
Ellen Gallagher, 2004
Watery Ecstatic Series