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Cindy Sherman - Untitled #137, 1984, chromogenic color print
Cindy Sherman, 1984
Untitled #137
Sherrie Levine - Beach Ball after Lichtenstein, 2015, cast bronze
Sherrie Levine, 2015
Beach Ball after Lichtenstein
Joseph Beuys - aus Künstlerpost (from Künstlerpost), 1969, plastic envelope with margarine and white chocolate, stamped; envelope stamped with oil paint (Browncross)
Robert Therrien - No title (large blue oval), 1993-94, tempera and silver plated bronze
Robert Therrien, 1993-94
No title (large blue oval)
William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Thomas Houseago - Untitled (Black Painting 12), 2015-2016, charcoal, chalk and oil paint on canvas mounted on board
Thomas Houseago, 2015-2016
Untitled (Black Painting 12)
Joseph Beuys - 9 Postkarten: die Axt von meiner Mutter (My Mother's Axe), 1985, offset on cardstock, stamps reproduced
Joseph Beuys - Postkarten (Postcards 1968-1974), 1974, box with 26 postcards and two postcard objects
Joseph Beuys - ohne die Rose tun wir's nicht (We Won't Do It without the Rose), 1972, color offset on cardstock, with handwritten text
Jenny Saville - Stare, 2004-05, oil on canvas
Jenny Saville, 2004-05
Stare
Leon Golub - Nelson Rockefeller (1971), 1976, acrylic on linen
Leon Golub, 1976
Nelson Rockefeller (1971)
Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper
Cindy Sherman - Untitled #474, 2008, chromogenic color print
Cindy Sherman, 2008
Untitled #474
Joseph Beuys - Cosmos und Damian gebohnert (Cosmos and Damian Polished), 1975, proof sheet of postcard, mounted on gray cardboard; shoe polish
Joseph Beuys - für Blinky (For Blinky), 1980, silkscreen on cardstock with handwritten addition
Joseph Beuys, 1980
für Blinky (For Blinky)
Glenn Ligon - Remember The Revolution #1, 2004, oil and acrylic on canvas
Glenn Ligon, 2004
Remember The Revolution #1
Joseph Beuys - Suite Zirkulationszeit: Urschlitten 2 (Suite Circulation Time: Primeval Sleds 2), 1982, etching and drypoint on white wove
Joseph Beuys - Nordpol aus der Suite Tränen (North Pole from Suite Tears), 1985, etching on thin paper laid down on gray wove
Frank Stella - Polar Coordinates for Ronnie Peterson, 1980, offset lithograph and screenprint on 320 gram Arches Cover paper
Jasper Johns - Voice 2, 1982, set of three lithographs; each: nine plates, printed with color
Jasper Johns, 1982
Voice 2
Julie Mehretu - Six Bardos: Luminous Appearance, 2018, 19 color, 2 panel aquatint
Julie Mehretu, 2018
Six Bardos: Luminous Appearance
Robert Rauschenberg - Golden Grebe (Scale), 1978, solvent transfer on fabric collaged to wooden panels with acrylic paint, colored and clear mirrors, and paintbrush
Robert Rauschenberg, 1978
Golden Grebe (Scale)
Joseph Beuys - Ölkanne F.I.U. (Oil Can F.I.U.), 1980, metal can containing a small amount of olive oil, stamped
Joseph Beuys - Suite Schwurhand: Wandernde Kiste 4, 1980, lithograph on paper laid down on gray Rives wove
Robbie Conal - It Can't Happen Here, 1988, offset lithographic poster
Robbie Conal, 1988
It Can't Happen Here
Cecily Brown - Tender is the Night, 1999, oil on linen
Cecily Brown, 1999
Tender is the Night
Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83
Photo-Editionen (Photo Editions)
Ellen Gallagher - Teeth Tracks, 1996, oil, pencil and paper mounted on canvas
Ellen Gallagher, 1996
Teeth Tracks
Cindy Sherman - Untitled #421, 2004, chromogenic color print
Cindy Sherman, 2004
Untitled #421
Andreas Gursky - F1 Boxenstopp II, 2007, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2007
F1 Boxenstopp II