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Cy Twombly - Untitled [Munich/Rome], 1972, oil paint, wax crayon and lead pencil on canvas
Cy Twombly, 1972

Untitled [Munich/Rome]

Sharon Lockhart - Pine Flat Portrait Studio, Meleah, Travis, 2005, two framed chromogenic prints
Ross Bleckner - Bed Flower, 1985, oil on linen
Ross Bleckner, 1985

Bed Flower

Damien Hirst - The Collector, 2003-2005, glass, painted steel, silicone rubber, aluminium, nylon netting, Formica, MDF, chair, animatronic man in laboratory wear, microscope, radiators, humidifiers, potted plants, flowers, live butterflies, butterfly specimens, cardboard and polystyrene specimen
Damien Hirst, 2003-2005

The Collector

Frank Stella - Merry Christmas (S-5, 3x - 2d version), 1987, mixed media on etched magnesium and aluminum
Joseph Beuys - Fettbriefe (Fat Letters), 1973, five sheets of letter paper treated with fat; with certificate
Joseph Beuys, 1973

Fettbriefe (Fat Letters)

Sigmar Polke - Homme Chantant la Marseillaise, 1989, mixed media on fabric
Sigmar Polke, 1989

Homme Chantant la Marseillaise

Robbie Conal - Contradiction, 1988, offset lithographic poster
Robbie Conal, 1988

Contradiction

Jasper Johns - White Flag, 1960, oil and newspaper collage over lithograph
Jasper Johns, 1960

White Flag

John Baldessari - Noses & Ears, Etc.:The Gemini Series: Two Faces, One with Nose and Military Ribbons; One with (Blue) Nose and Tie, 2006, three-layer, 14-color screenprint; mounted to Sintra and framed
Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Joseph Beuys - Klanggebilde (Tune Formation), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Klanggebilde (Tune Formation)

Glenn Ligon - Untitled: Four Etchings, 1992, four softground etching, aquatint, spit bite and sugarlifts on paper
Glenn Ligon, 1992

Untitled: Four Etchings

Jean‐Michel Basquiat - Beef Ribs Longhorn, 1982, acrylic, oilstick, and paper collage on canvas mounted on tied wood supports
Jean‐Michel Basquiat, 1982

Beef Ribs Longhorn

On View
Barbara Kruger - Untitled (If you're so successful, why do you feel like a fake?), 1987, photographic silkscreen on mirrored glass
Joseph Beuys - Filzwinkel (Felt Angle), 1985, felt object
Joseph Beuys, 1985

Filzwinkel (Felt Angle)

Terry Winters - Schema (66), 1985-86, oil and graphite on paper
Terry Winters, 1985-86

Schema (66)

Andy Warhol - Campbell's Soup Can (Clam Chowder - Manhattan Style) [Ferus Type], 1962, casein and pencil on linen
On View
Thomas Struth - Audience 5 (Galleria Dell'Accademia), Florenz, 2004, chromogenic print
Mickalene Thomas - Le Déjeuner sur l'herbe les Trois Femmes Noires d'aprés Picasso, 2022, rhinestones and acrylic paint on canvas mounted on wood panel
On View
George Condo - Nuntio, 1985, oil on canvas
George Condo, 1985

Nuntio

Joseph Beuys - aus Hommage à Picasso (from Hommage à Picasso), 1973, lithograph on rag paper
David Salle - Tragedy, 1995, oil and acrylic on two canvas panels
David Salle, 1995

Tragedy

Joseph Beuys - Minneapolis-Fragmente (Minneapolis Fragments), 1977, lithograph on wove and pencil, stamped
Sharon Lockhart - Untitled, 1996, framed chromogenic print
Sharon Lockhart, 1996

Untitled

Hans Haacke - The Saatchi Collection (Simulations), 1987, mixed media installation
Joseph Beuys - Pala (Shovel), 1983, spade; blade wrought iron, handle ash wood, with burned inscription
Joseph Beuys, 1983

Pala (Shovel)

Joseph Beuys - Objekt zum Schmieren und Drehen (Object to Smear and Turn), 1972, tin can, lubrication grease, screwdriver, oil paint (Browncross)
Richard Artschwager - Night Watch, 1999, charcoal, acrylic on fiber panel, and wood
Richard Artschwager, 1999

Night Watch

Joseph Beuys - Schlitten (Sled), 1969, wooden sled, felt, belts, flashlight, fat and rope; sled stamped with oil paint (Browncross)
Joseph Beuys, 1969

Schlitten (Sled)