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Joseph Beuys - für Fußwaschung (For Footwashing), 1977, enamel basin, inscribed
Tom Otterness - Double Foot, 1991, bronze
Tom Otterness, 1991

Double Foot

Christopher Wool - Untitled, 2015, silkscreen ink on linen
Christopher Wool, 2015

Untitled

Ed Ruscha - Gilded, Marbled, and Foibled, 2011 - 2012, acrylic on canvas
Ed Ruscha, 2011 - 2012

Gilded, Marbled, and Foibled

On View
Peter Halley - A Perfect World, 1993, acrylic, Day-Glo acrylic and Roll-a-Tex on canvas
Peter Halley, 1993

A Perfect World

Cindy Sherman - Untitled #334, 1999, gelatin silver print
Cindy Sherman, 1999

Untitled #334

Timothy Greenfield‐Sanders - Portrait of Cindy Sherman, 1980, black and white photograph
Timothy Greenfield‐Sanders, 1980

Portrait of Cindy Sherman

Joseph Beuys - Celtic + ~~~~, 1971, film (Super 8); ten photographs, bottle with gelatin, beeswax in cloth covered box, stamped with brown paint (Browncross)
Joseph Beuys, 1971

Celtic + ~~~~

Joseph Beuys - Orwell-Blatt (Orwell Print), 1984, offset on wove
Joseph Beuys, 1984

Orwell-Blatt (Orwell Print)

Paul Pfeiffer - Four Horsemen of the Apocalypse #14, 2004, Fuji Digital chromogenic print
Joseph Beuys - Vino F.I.U. (Wine F.I.U.), 1981-83, carton with 12 bottles of rosé wine
Joseph Beuys, 1981-83

Vino F.I.U. (Wine F.I.U.)

Gregory Crewdson - Untitled (41), 2009, digital pigment print
Gregory Crewdson, 2009

Untitled (41)

Charles Ray - Untitled, 1973, black and white photograph mounted on rag board
Charles Ray, 1973

Untitled

Andy Warhol - Male Seated at Automat Counter, 1958, ink and watercolor on paper
Andy Warhol, 1958

Male Seated at Automat Counter

On View
Robbie Conal - Men With No Lips, 1986, offset lithographic poster
Robbie Conal, 1986

Men With No Lips

Barbara Kruger - Untitled (Hate like us), 1994, photographic silkscreen on Plexiglas
Barbara Kruger, 1994

Untitled (Hate like us)

Joseph Beuys - La rivoluzione siamo Noi (We Are the Revolution), 1972, phototype on polyester sheet, with handwritten text; stamped
Albert Oehlen - Fn 23, 1990, oil on canvas
Albert Oehlen, 1990

Fn 23

Robbie Conal - Gag Me with a Long Dong Condom, 1992, offset lithographic poster
Robbie Conal, 1992

Gag Me with a Long Dong Condom

Andreas Gursky - Hong Kong Stock Exchange II, 1995, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 1995

Hong Kong Stock Exchange II

Jean‐Michel Basquiat - With Strings Two, 1983, acrylic, and oilstick on canvas
Jean‐Michel Basquiat, 1983

With Strings Two

Takashi Murakami - Warp, 2009, acrylic, platinum leaf, and gold leaf on canvas mounted on aluminum frame
Takashi Murakami, 2009

Warp

On View
Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Fat Shine on Iron

Ray Smith - Guernimex, 1990, oil and wax on nine wood panels
Ray Smith, 1990

Guernimex

Cindy Sherman - Untitled #332, 1999, gelatin silver print
Cindy Sherman, 1999

Untitled #332

Joseph Beuys - Suite Zirkulationszeit: Meerengel Robbe 1 (Suite Circulation Time: Sea Angel Seal 1), 1982, etching on white wove
William Kentridge - The Refusal of Time, 2012, five-channel video installation with sound; four steel megaphones; breathing machine
William Kentridge, 2012

The Refusal of Time

Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83

Photo-Editionen (Photo Editions)

Joseph Beuys - Konzert Mönchengladbach (Mönchengladbach Concert), 1970, cassette recorder, stamped with oil paint (Browncross)
Ed Ruscha - THOSE OTHER PEOPLE, 2011, acrylic on linen
Ed Ruscha, 2011

THOSE OTHER PEOPLE