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Joseph Beuys - DDR-Filz (GDR Felt), 1979, felt typewriter pad with handwritten addition, stamped
Joseph Beuys, 1979

DDR-Filz (GDR Felt)

Glenn Ligon - Untitled: Four Etchings, 1992, four softground etching, aquatint, spit bite and sugarlifts on paper
Glenn Ligon, 1992

Untitled: Four Etchings

On View
Jasper Johns - Untitled, 1990, lithograph, three plates
Jasper Johns, 1990

Untitled

Mark Bradford - Corner of Desire and Piety, 2008, 72 collages: mixed media on board
Mark Bradford, 2008

Corner of Desire and Piety

Joseph Beuys - sich selbst (Oneself), 1977, offset print on cardstock
Joseph Beuys, 1977

sich selbst (Oneself)

Urs Fischer - Untitled, 2012, cast aluminum, milled aluminum, screws, LED light bulb, glass, wires, electrical unit, wash primer, epoxy filler, component fill primer, waterborne base coat, polyurethane matte clear coat
Urs Fischer, 2012

Untitled

Joe Ray - Daisy Lee, 2023, acrylic and aerosol on canvas with steel artist-made frame
Joe Ray, 2023

Daisy Lee

Cindy Sherman - Untitled Film Still #16, 1978, gelatin silver print
Cindy Sherman, 1978

Untitled Film Still #16

Philip‐Lorca diCorcia - Tokyo, 1994, Ektacolor print mounted to four-ply board paper
Philip‐Lorca diCorcia, 1994

Tokyo

Joseph Beuys - für Blinky (For Blinky), 1980, silkscreen on cardstock with handwritten addition
Joseph Beuys, 1980

für Blinky (For Blinky)

Timothy Greenfield‐Sanders - Portrait of Ed Ruscha, 1987, black and white photograph
Timothy Greenfield‐Sanders, 1987

Portrait of Ed Ruscha

Joseph Beuys - Silberbesen und Besen ohne Haare (Silver Broom and Broom without Bristles), 1972, broom (wood and horsehair), encased in 1 mm silver sheet; solid copper, felt
Joseph Beuys - Mottenschaden (Moth Damage), 1978, felt letter, cut and mounted on cardboard
Joseph Beuys, 1978

Mottenschaden (Moth Damage)

Sayre Gomez - Diamonds and Pearls, 2022, acrylic on canvas, diptych
Sayre Gomez, 2022

Diamonds and Pearls

John Ahearn and Rigoberto Torres - Maggie and Connie, 1985, oil on reinforced polyadam
John Ahearn and Rigoberto Torres, 1985

Maggie and Connie

On View
Scott Burton - Semi-Circle Table, 1993, hot rolled steel
Scott Burton, 1993

Semi-Circle Table

Ed Ruscha - Angry Because It's Plaster, Not Milk, 1965, oil on canvas
On View
Joseph Beuys - aus Künstlerpost (from Künstlerpost), 1969, plastic envelope with margarine and white chocolate, stamped; envelope stamped with oil paint (Browncross)
Joseph Beuys - Filzbriefe (Felt Letters), 1974, five pieces of white felt with printed letterhead and inscription by Jürg Brodmann and Joseph Beuys
Joseph Beuys, 1974

Filzbriefe (Felt Letters)

Anselm Kiefer - Laßt tausend Blumen blühen, 1998, mixed media on canvas
Anselm Kiefer, 1998

Laßt tausend Blumen blühen

Andreas Gursky - Amazon, 2016, C-print
Andreas Gursky, 2016

Amazon

Timothy Greenfield‐Sanders - Portrait of Robert Longo, 1986, black and white photograph
Timothy Greenfield‐Sanders, 1986

Portrait of Robert Longo

Thomas Struth - Audience 4 (Galleria Dell'Accademia), Florenz, 2004, chromogenic print
John Ahearn and Rigoberto Torres - Homage to the People of the Bronx: Double Dutch at Kelly Street - La Freeda, Jevette, Towana, Staice, 1981-82, oil on fiberglass
Robert Rauschenberg - Untitled, 1963, oil and silkscreen inks on canvas
Robert Rauschenberg, 1963

Untitled

On View
Cindy Sherman - Untitled #116, 1982, chromogenic color print
Cindy Sherman, 1982

Untitled #116

Joseph Beuys - SoHo News, 1980, SoHo News magazine
Joseph Beuys, 1980

SoHo News

Joseph Beuys - in interfunktionen 2, 1969, offset; stamped; on page 63 of magazine
Joseph Beuys, 1969

in interfunktionen 2

Ed Ruscha - Index, 2002, acrylic and India ink on raw linen
Ed Ruscha, 2002

Index

John Baldessari - Car Flanked by Doubleman (Splashed Blue), 1990, three color photographs with vinyl paint and acrylic paint