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Joseph Beuys - Suite Schwurhand: Frau rennt weg mit Gehirn, 1980, etching on white Arches wove
Joseph Beuys - Tafel III (Blackboard III), 1980, silkscreen on cardstock
Joseph Beuys, 1980

Tafel III (Blackboard III)

Neil Jenney - Tools and Task, 1969-70, acrylic and pencil on canvas
Neil Jenney, 1969-70

Tools and Task

Joseph Beuys - Holzschnitte: Esse (Woodcuts: Forge), 1951/1973-74, woodcut, hand-printed in brown on wove, in portfolio
Joseph Beuys, 1951/1973-74

Holzschnitte: Esse (Woodcuts: Forge)

Roy Lichtenstein - Non-Objective I, 1964, oil and Magna on canvas
Roy Lichtenstein, 1964

Non-Objective I

On View
John Ahearn and Rigoberto Torres - Maggie and Connie, 1985, oil on reinforced polyadam
John Ahearn and Rigoberto Torres, 1985

Maggie and Connie

Gregory Crewdson - Untitled, 2004, digital chromogenic print
Gregory Crewdson, 2004

Untitled

Sherrie Levine - Beach Ball after Lichtenstein, 2015, cast bronze
Sherrie Levine, 2015

Beach Ball after Lichtenstein

Mike Kelley - Twisted Shamrock (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Barbara Kruger - Untitled (If you're so successful, why do you feel like a fake?), 1987, photographic silkscreen on mirrored glass
John Baldessari - White Truffle Soup, 2012, multi-color screenprint
John Baldessari, 2012

White Truffle Soup

Joseph Beuys - L'udito (Hearing ), 1974, offset on wove
Joseph Beuys, 1974

L'udito (Hearing )

John Baldessari - Noses & Ears, Etc.: The Gemini Series: One Face (Three Versions) with Nose, Ear and Glasses, 2006, three-layer, 26-color screenprint; mounted to Sintra and framed
Saint Clair Cemin - Untitled (Form with Reversed Jar), 1987, bronze
Saint Clair Cemin, 1987

Untitled (Form with Reversed Jar)

Neo Rauch - Die Stickerin, 2008, oil on canvas
Neo Rauch, 2008

Die Stickerin

Mike Kelley - Satan's Nostrils (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Joseph Beuys - Suite Zirkulationszeit: Meerengel Robbe 1 (Suite Circulation Time: Sea Angel Seal 1), 1982, etching on white wove
Timothy Greenfield‐Sanders - Portrait of Philip Taaffe, 1985, black and white photograph
Timothy Greenfield‐Sanders, 1985

Portrait of Philip Taaffe

Andy Warhol - Mao, 1973, acrylic, clear acrylic medium, and silkscreen ink on linen
Andy Warhol, 1973

Mao

On View
Joseph Beuys - in Ilverich roch es damals noch nach Gras, 1981, offset on cardstock
Mark Innerst - View of the River, 1988, oil on acrylic on board
Mark Innerst, 1988

View of the River

Mark Tansey - Arrest, 1988, oil on canvas
Mark Tansey, 1988

Arrest

Joseph Beuys - in interfunktionen 6, 1971, seven sheets of printed, colored tissue paper, folded in various ways and inserted between various pages of the publication; magazine
Joseph Beuys, 1971

in interfunktionen 6

Jeff Wall - Fieldwork. Excavation of the floor of a dwelling in a former Sto:lo nation village, Greenwood Island, Hope, B.C., August 2003, Anthony Graesch, Dept. of Anthropology, University of California at Los Angeles, working with Riley Lewis of the Sto:lo band, 2003, transparency in lightbox
Malcolm Morley - Age of Catastrophe, 1976, oil on canvas
Malcolm Morley, 1976

Age of Catastrophe

Joseph Beuys - Suite Zirkulationszeit: junger Hase (Suite Circulation Time: Young Hare), 1982, etching and lithograph on white wove
John Baldessari - Grimm's Fairy Tales: The Frog King, 1982, Eleven black-and-white photographs, one color photograph, one text panel
John Baldessari, 1982

Grimm's Fairy Tales: The Frog King

Joseph Beuys - Goldkuchen (Gold Cake), 1982, color offset on offset paper
Joseph Beuys, 1982

Goldkuchen (Gold Cake)

Kara Walker - The Palmetto Libretto (part two of a multi part work. This one's a sketch for an American comic opera with shipwreck and cargo), 2012, pastel and graphite on paper
Joseph Beuys - Kleve 1950-1961 (Cleve 1950-1961), 1981, thirty seven photographs and one original drawing in cloth-covered box, print with stamp in cloth-covered box