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Joseph Beuys - Edition 12. Mai 1981 (Edition May 12,1981), 1981, book, similia similibus, stamped, and tape cassette; in cardboard box, stamped
Joseph Beuys - eine Partei für Tiere (A Party for Animals), 1969, offset and handwritten text on paper, stamped with oil paint (Browncross) and round stamp
Ed Ruscha - DIDN'T DO NOTHING..., 2011, acrylic on vellum
Ed Ruscha, 2011

DIDN'T DO NOTHING...

Joseph Beuys - DM 90,000, 1982, facsimile prints in iron frame with glass
Joseph Beuys, 1982

DM 90,000

Joseph Beuys - Botanischer Wahnsinn (Botanical Madness), 1976, collotype on cardstock
Roy Lichtenstein - Red Lamp, 1992, lithograph on Rives BFK paper
Roy Lichtenstein, 1992

Red Lamp

Christopher Wool - Untitled, 1989, enamel and acrylic on aluminum
Christopher Wool, 1989

Untitled

Joseph Beuys - Pflasterstrand, 1984, magazine; signed and numbered in Roman numerals
Joseph Beuys, 1984

Pflasterstrand

Joseph Beuys - in interfunktionen 3, 1969, offset; on page 83 of publication; magazine
Joseph Beuys, 1969

in interfunktionen 3

Richard Artschwager - Double Console, 1988, painted wood, rubberized hair and plated steel
Richard Artschwager, 1988

Double Console

Charles Ray - Plank Piece I-II, 1973, two black and white photographs mounted on rag board
Charles Ray, 1973

Plank Piece I-II

Cindy Sherman - Untitled #278, 1993, chromogenic color print
Cindy Sherman, 1993

Untitled #278

Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on white Rives Couronne paper
Doug Aitken - plateau, 2002, Aluminum lightbox, fluorescent lights, chromogenic transparency, acrylic
Doug Aitken, 2002

plateau

Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978

Sandzeichnungen (Sand Drawings)

Ellsworth Kelly - Blue Red, 1968, oil on canvas, two joined panels
Ellsworth Kelly, 1968

Blue Red

Cindy Sherman - Untitled #199, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #199

Terry Winters - Factors of Increase, 1988, oil on linen
Terry Winters, 1988

Factors of Increase

Joseph Beuys - Suite Zirkulationszeit: Kopf H.B. (Suite Circulation Time: Head H.B.), 1982, etching on white wove
Richard Artschwager - Northwest Passage, 1994, acrylic and Formica, Celotex and wood in artist's frame
Richard Artschwager, 1994

Northwest Passage

Cady Noland - IMPACT ON THE IMAGE, 1993-1994, silkscreen ink on honeycomb aluminum
Cady Noland, 1993-1994

IMPACT ON THE IMAGE

Joseph Beuys - Speisekuchen, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Speisekuchen

Chuck Close - Hillary, 2000, digital ink jet print
Chuck Close, 2000

Hillary

Timothy Greenfield‐Sanders - Portrait of Richard Artschwager, 1992, black and white photograph
Timothy Greenfield‐Sanders, 1992

Portrait of Richard Artschwager

Roy Lichtenstein - Purist Still Life, 1975, oil and Magna on canvas
Roy Lichtenstein, 1975

Purist Still Life

Damien Hirst - Something Solid Beneath the Surface of All Creatures Great and Small, 2001, glass, stainless steel, nickel, brass, rubber, painted and lacquered MDF and animal skeletons
Cindy Sherman - Untitled #167, 1986, chromogenic color print
Cindy Sherman, 1986

Untitled #167

Joseph Beuys - Doppelpferd (Double Horse), 1985, offset and silkscreen on heavy paper
Joseph Beuys, 1985

Doppelpferd (Double Horse)

Joseph Beuys - Hasenblut (Hare's Blood), 1971, plastic envelope containing approx. four cc hare's blood, mounted with adhesive bandage on heavy paper
Joseph Beuys, 1971

Hasenblut (Hare's Blood)

John Baldessari - Three Moments (with Pool Table), 1992/99, black lithography all other colors silkscreen
John Baldessari, 1992/99

Three Moments (with Pool Table)