Browse the Collection

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Jean‐Michel Basquiat - Beef Ribs Longhorn, 1982, acrylic, oilstick, and paper collage on canvas mounted on tied wood supports
Jean‐Michel Basquiat, 1982

Beef Ribs Longhorn

Sayre Gomez - Diamonds and Pearls, 2022, acrylic on canvas, diptych
Sayre Gomez, 2022

Diamonds and Pearls

Ed Ruscha - No End to the Things Made Out of Human Talk, 1977, oil on canvas
On View
Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83

Photo-Editionen (Photo Editions)

Peter Halley - Weekend, 1988, acrylic and Flashe on canvas
Peter Halley, 1988

Weekend

Damien Hirst - Half Skull at Rest, 2008, oil on newspaper
Damien Hirst, 2008

Half Skull at Rest

Cy Twombly - Untitled [Gaeta], 2007, acrylic, wax crayon, lead pencil on wooden panel
Cy Twombly, 2007

Untitled [Gaeta]

Roy Lichtenstein - Live Ammo (Blang), 1962, oil and Magna on canvas
Roy Lichtenstein, 1962

Live Ammo (Blang)

Thomas Houseago - Untitled (Black Painting 12), 2015-2016, charcoal, chalk and oil paint on canvas mounted on board
Thomas Houseago, 2015-2016

Untitled (Black Painting 12)

Joseph Beuys - Hirschkopf aus der Suite Tränen (Stag's Head from Suite Tears), 1985, etching on thin paper laid down on white wove
Cy Twombly - Untitled [New York City], 1955, oil based house paint and lead pencil on canvas
Cy Twombly, 1955

Untitled [New York City]

Susan Rothenberg - Untitled #152, 1981, charcoal on paper
Susan Rothenberg, 1981

Untitled #152

Joseph Beuys - Goldkuchen (Gold Cake), 1982, color offset on offset paper
Joseph Beuys, 1982

Goldkuchen (Gold Cake)

Robert Longo - Tongue to the Heart, 1984, acrylic and oil on wood, cast plaster, hammered lead on wood, durotran, acrylic on canvas
Robert Longo, 1984

Tongue to the Heart

Chuck Close - Hillary, 2000, digital ink jet print
Chuck Close, 2000

Hillary

Robert Longo - Untitled (Black Pussy Hat in Women's March), 2017, charcoal on mounted paper
Joseph Beuys - jeder Griff muß sitzen, 1973, offset on cardstock, stamps reproduced
Joseph Beuys, 1973

jeder Griff muß sitzen

Joseph Beuys - Jungfrau aus der Suite Tränen (Virgin from Suite Tears), 1985, etching on thin paper laid down on gray wove
Joseph Beuys - Rettet den Wald (Save the Woods), 1972, offset on paper
John Baldessari - Noses & Ears, Etc.:The Gemini Series: Two Faces, One with Nose and Military Ribbons; One with (Blue) Nose and Tie, 2006, three-layer, 14-color screenprint; mounted to Sintra and framed
Joseph Beuys - Postcard from Eva Beuys. Photo credited to Jessyka Beuys, 1981, postcard
Timothy Greenfield‐Sanders - Portrait of Chuck Close, 1987, black and white photograph
Timothy Greenfield‐Sanders, 1987

Portrait of Chuck Close

Nathaniel Mary Quinn - Pure Insecurity, 2019, oil paint, paint stick, gouache, soft pastel on linen canvas
Nathaniel Mary Quinn, 2019

Pure Insecurity

Joseph Beuys - Suite Zirkulationszeit: Honigtopf (Suite Circulation Time: Honey Pot), 1982, etching and aquatint on white wove
Cindy Sherman - Untitled #264, 1992, chromogenic color print
Cindy Sherman, 1992

Untitled #264

Timothy Greenfield‐Sanders - Portrait of Malcolm Morley, 1990, black and white photograph
Timothy Greenfield‐Sanders, 1990

Portrait of Malcolm Morley

Sherrie Levine - Untitled (after Walker Evans: negative) #8, 1989, photograph and wood frame
Joseph Beuys - Iphigenie (Iphigenia), 1973, silkscreen on gold-colored vinyl sheet
Joseph Beuys, 1973

Iphigenie (Iphigenia)

Robert Irwin - Untitled, 1967-68, acrylic lacquer on plastic
Robert Irwin, 1967-68

Untitled

Catherine Opie - monument/monumental, 2020, pigment prints
Catherine Opie, 2020

monument/monumental