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Cady Noland - IMPACT ON THE IMAGE, 1993-1994, silkscreen ink on honeycomb aluminum
Cady Noland, 1993-1994

IMPACT ON THE IMAGE

Cady Noland - MR. SIR, 1993, silkscreen ink on honeycomb aluminum w/ 6 inch deep stand
Cady Noland, 1993

MR. SIR

Doug Aitken - west, 2008, Aluminum lightbox, Neon, acrylic
Doug Aitken, 2008

west

Susan Rothenberg - Juggler with Shadows, 1987, oil on canvas
Susan Rothenberg, 1987

Juggler with Shadows

Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978

Sandzeichnungen (Sand Drawings)

Cindy Sherman - Untitled #118, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #118

Nathaniel Mary Quinn - Pure Insecurity, 2019, oil paint, paint stick, gouache, soft pastel on linen canvas
Nathaniel Mary Quinn, 2019

Pure Insecurity

Joseph Beuys - Köln (Cologne), 1968-69, offset on cardstock, stamps reproduced
Joseph Beuys, 1968-69

Köln (Cologne)

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Julie Mehretu - Invisible Sun (algorithm 8, fable form), 2015, ink and acrylic on canvas
Chuck Close - Hillary, 2000, digital ink jet print
Chuck Close, 2000

Hillary

Doug Aitken - plateau, 2002, Aluminum lightbox, fluorescent lights, chromogenic transparency, acrylic
Doug Aitken, 2002

plateau

Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Cindy Sherman - Untitled #369, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #369

Joseph Beuys - Iphigenie/Titus Andronicus (Iphigenia/Titus Andronicus), 1985, photopositive and negative on film, stamped with brown paint (Browncross); glass, iron frame
Richard Artschwager - Instrument, 1990, Formica on wood with chrome-plated brass
Richard Artschwager, 1990

Instrument

Cindy Sherman - Untitled #461, 2007/2008, chromogenic color print
Cindy Sherman, 2007/2008

Untitled #461

Jean‐Michel Basquiat - Deaf, 1984, acrylic and oilstick on canvas
Jean‐Michel Basquiat, 1984

Deaf

On View
Nathaniel Mary Quinn - C'mo' and Walk With Me, 2019, black charcoal, gouache, soft pastel, oil pastel on Coventry vellum paper
Nathaniel Mary Quinn, 2019

C'mo' and Walk With Me

Joseph Beuys - Rückwärts (Backwards), 1977, Vorwärts newspaper, pen and pencil
Joseph Beuys, 1977

Rückwärts (Backwards)

David Salle - Demonic Roland, 1987, acrylic and oil on canvas
David Salle, 1987

Demonic Roland

Joseph Beuys - Suite Schwurhand: Blitz und Bienenkönigin (Suite Oath Hand: Lightning and Queen Bee), 1980, aquatint and lithograph on paper laid down on gray Rives wove
Joseph Beuys - Demokratie ist lustig (Democracy is Merry), 1973, offset on cardstock, stamps reproduced
John Baldessari - Buildings=Guns=People: Desire, Knowledge, and Hope (with Smog), 1985, black-and-white and color photographs with vinyl paint and oil tint, mounted on five panels
Thomas Struth - Audience 4 (Galleria Dell'Accademia), Florenz, 2004, chromogenic print
Joseph Beuys - Elch in der Strömung (Elk in the Current), 1985, silkscreen on cardstock
Andreas Gursky - Amazon, 2016, C-print
Andreas Gursky, 2016

Amazon

Joseph Beuys - Sonnenscheibe, 1973, record matric (nickel-plated copper) with die-cut hole; two felt pads stamped with brown paint (Browncross); in box
Joseph Beuys, 1973

Sonnenscheibe

Joel Shapiro - Untitled, 1974, cast iron
Joel Shapiro, 1974

Untitled

Cecily Brown - Tender is the Night, 1999, oil on linen
Cecily Brown, 1999

Tender is the Night