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Richard Prince - What's What, 1989, fiberglass, wood, oil and enamel
Richard Prince, 1989

What's What

Cady Noland - IMPACT ON THE IMAGE, 1993-1994, silkscreen ink on honeycomb aluminum
Cady Noland, 1993-1994

IMPACT ON THE IMAGE

Roy Lichtenstein - Interior with Painting of Bather, 1997, oil and mineral spirits acrylic on canvas
Roy Lichtenstein, 1997

Interior with Painting of Bather

Gregory Crewdson - Untitled (41), 2009, digital pigment print
Gregory Crewdson, 2009

Untitled (41)

Andreas Gursky - Fussballspieler, Liege, 1984, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 1984

Fussballspieler, Liege

Susan Rothenberg - Bone Heads, 1989-90, oil on canvas
Susan Rothenberg, 1989-90

Bone Heads

Robert Rauschenberg - Quattro Mani Marrakech III, 2000, screenprint on paper
Robert Rauschenberg, 2000

Quattro Mani Marrakech III

Joseph Beuys - L'arte è una zanzara dalle mille ali (Art is a mosquito with a thousand wings), 1981, one of four photoetchings on wove in cloth portfolio
Richard Artschwager - Diderot's Panacea, 1992, Formica and wood
Richard Artschwager, 1992

Diderot's Panacea

Cindy Sherman - Untitled #200, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #200

Joseph Beuys - Wohlbefinden (Well-Being), 1982, customer survey card, with handwritten text
Joseph Beuys, 1982

Wohlbefinden (Well-Being)

Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Ed Ruscha - The Old Tech-Chem Building, 2003, acrylic on canvas
Ed Ruscha, 2003

The Old Tech-Chem Building

On View
John Baldessari - Black Bean Soup, 2012, multi-color screenprint
John Baldessari, 2012

Black Bean Soup

Terry Winters - Schema (17), 1985-86, gouache and graphite on paper
Terry Winters, 1985-86

Schema (17)

Mark Bradford - (Untitled) a.k.a. Gwen, 2005 - 2006, mixed media on canvas
Mark Bradford, 2005 - 2006

(Untitled) a.k.a. Gwen

Robert Therrien - No title (green hat on pedestal), 1984-85, oil-based enamel on bronze and wood
Robert Therrien, 1984-85

No title (green hat on pedestal)

Joseph Beuys - Schautafeln für den Unterricht I und II, 1971, two photographs mounted on cardboard; Board I with zinc plate, sulphur, and handwritten text
Jeff Koons - Cat on a Clothesline (Aqua), 1994-2001, rotationally molded polyethylene
Jeff Koons, 1994-2001

Cat on a Clothesline (Aqua)

Kiki Smith - Untitled, 1990, 12 silver coated glass jars
Kiki Smith, 1990

Untitled

Joseph Beuys - 9 Postkarten: hiermit trete ich aus der Kunst aus (9 Postcards: I Hereby Resign from Art), 1985, offset on cardstock, stamps reproduced
David Salle - The Loneliness of Clothes, 1986, acrylic on canvas with two blue light bulbs
David Salle, 1986

The Loneliness of Clothes

Joseph Beuys - Die beste Stadt für Blinde, 1981, book by Jürg Federspiel, with inscriptions and copper wire added by Beuys
Joseph Beuys, 1981

Die beste Stadt für Blinde

Jenny Holzer - Survival: With all the holes . . ., 1989, Indian red granite bench
Jean‐Michel Basquiat - Deaf, 1984, acrylic and oilstick on canvas
Jean‐Michel Basquiat, 1984

Deaf

On View
Cindy Sherman - Untitled #461, 2007/2008, chromogenic color print
Cindy Sherman, 2007/2008

Untitled #461

Pat York - Eli Broad, 2005, color photograph
Pat York, 2005

Eli Broad

Joseph Beuys - halbiertes Filzkreuz über Köln (Halved Felt Cross over Cologne), 1977, misprintings of postcards. Offset, with handwritten additions, mounted on gray cardboard
Andreas Gursky - Sao Paulo, Sé, 2002, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2002

Sao Paulo, Sé

Cindy Sherman - Untitled #139, 1984, chromogenic color print
Cindy Sherman, 1984

Untitled #139