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Joseph Beuys - Enterprise 18.11.72; 18:5:16 Uhr (Enterprise 11/18/72, 18:5:16 hours), 1973, zinc box with lid, photograph, camera, felt
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper
Joseph Beuys - Holzschnitte: Hirschkuh (Woodcuts:Hind), 1948/1973-74, woodcut, hand-printed in brown on wove, in portfolio
Joseph Beuys, 1948/1973-74
Holzschnitte: Hirschkuh (Woodcuts:Hind)
Joseph Beuys - Terremoto in palazzo (Earthquake in the Building), 1983, color offset on wove
Joseph Beuys - Kunst=CAPITAL (Art=Capital), 1979, banknote with handwritten addition
Joseph Beuys, 1979
Kunst=CAPITAL (Art=Capital)
Timothy Greenfield‐Sanders - Portrait of Sean Scully, 1991, black and white photograph
Timothy Greenfield‐Sanders, 1991
Portrait of Sean Scully
Christopher Wool - Untitled, 1989, enamel and acrylic on aluminum
Christopher Wool, 1989
Untitled
Cady Noland - IMPACT ON THE IMAGE, 1993-1994, silkscreen ink on honeycomb aluminum
Cady Noland, 1993-1994
IMPACT ON THE IMAGE
On View
David Salle - Dusting Powders, 1986, acrylic and oil on two canvas panels with wooden chair
David Salle, 1986
Dusting Powders
Joseph Beuys - 9 Postkarten: Manifest (9 Postcards: Manifesto), 1985, offset on cardstock, stamps reproduced
Cindy Sherman - Untitled #332, 1999, gelatin silver print
Cindy Sherman, 1999
Untitled #332
Chris Burden - Bateau de Guerre, 2001, 172 metal gasoline cans, three cannons on wooden swivels, eight plastic torpedoes, 18 plastic submarine bombers, four plastic rescue submarines, two metal lamps, five plastic castle towers (two on each side, one on top) with attached weaponry, one straw Chinese radar hat, four plastic crates, and metal framework
Chris Burden, 2001
Bateau de Guerre
Albert Oehlen - Fn 23, 1990, oil on canvas
Albert Oehlen, 1990
Fn 23
Lari Pittman - Pathos, Ethos, Logos, Kairos #4, 2017, cel vinyl and spray paint over linen mounted on wood panel
Lari Pittman, 2017
Pathos, Ethos, Logos, Kairos #4
On View
Jasper Johns - Untitled, 1975, oil and encaustic on canvas (four panels)
Jasper Johns, 1975
Untitled
Joseph Beuys - Goldkuchen (Gold Cake), 1982, color offset on offset paper
Joseph Beuys, 1982
Goldkuchen (Gold Cake)
Timothy Greenfield‐Sanders - Portrait of Gerhard Richter, 1991, black and white photograph
Timothy Greenfield‐Sanders, 1991
Portrait of Gerhard Richter
Joseph Beuys - Telephon S-----------------E (Telephone T-----------------Я), 1974, two tin cans, one with brown paint (Browncross); string, label
John Ahearn and Rigoberto Torres - Maggie and Connie, 1985, oil on reinforced polyadam
John Ahearn and Rigoberto Torres, 1985
Maggie and Connie
Cindy Sherman - Untitled #70, 1980, chromogenic color print
Cindy Sherman, 1980
Untitled #70
Julian Schnabel - The Goddess of Reason, 1987, oil, gesso, banner on tarpaulin
Julian Schnabel, 1987
The Goddess of Reason
David Salle - False Aire, 1990, oil and acrylic on canvas
David Salle, 1990
False Aire
Joseph Beuys - Der Spiegel, 1979, Der Spiegel newsmagazine
Joseph Beuys, 1979
Der Spiegel
Sean Scully - Angelo, 1994, oil on linen
Sean Scully, 1994
Angelo
Joseph Beuys - Fettbriefe (Fat Letters), 1973, five sheets of letter paper treated with fat; with certificate
Joseph Beuys, 1973
Fettbriefe (Fat Letters)
Joseph Beuys - New Beginnings Are in the Offing, 1981, offset on cardstock
Cindy Sherman - Untitled #403, 2000, chromogenic color print
Cindy Sherman, 2000
Untitled #403
Joseph Beuys - Raum 3 (Room 3), 1981, video cassette, computer printout
Joseph Beuys, 1981
Raum 3 (Room 3)
Joseph Beuys - :Quanten, 1982, two-part color silkscreen on wove paper
Joseph Beuys, 1982
:Quanten
Ellsworth Kelly - Blue Curve V, 1972, oil on canvas
Ellsworth Kelly, 1972
Blue Curve V