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Timothy Greenfield‐Sanders - Portrait of Richard Serra, 1986, black and white photograph
Timothy Greenfield‐Sanders, 1986

Portrait of Richard Serra

Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper
Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Peter Halley - Collision Circuit, 1989-90, Day-glo acrylic, acrylic and Roll-a-Tex on canvas
Peter Halley, 1989-90

Collision Circuit

Joseph Beuys - Rose für Direkte Demokratie (Rose for Direct Democracy), 1973, graduated glass cylinder, with inscription; certificate on printed letter paper
George Condo - The Bum, 1985, oil on canvas
George Condo, 1985

The Bum

Urs Fischer - Problem Painting, 2012, milled aluminum panel, acrylic primer, gesso, acrylic ink, spray enamel, acrylic silkscreen medium, and acrylic paint
Urs Fischer, 2012

Problem Painting

Joseph Beuys - L'arte è una zanzara dalle mille ali (Art is a mosquito with a thousand wings), 1981, one of four photoetchings on wove in cloth portfolio
Andy Warhol - Single Elvis [Ferus Type], 1963, silkscreen ink and spray paint on linen
Andy Warhol, 1963

Single Elvis [Ferus Type]

Cy Twombly - Anabasis, Bassano in Teverina, 1980, cast in 2011, bronze
Cy Twombly, 1980, cast in 2011

Anabasis, Bassano in Teverina

Robert Rauschenberg - Hillary Rodham Clinton Campaign Print, 2000, pigmented inkjet print
Robert Rauschenberg, 2000

Hillary Rodham Clinton Campaign Print

Kerry James Marshall - Untitled (Orange Pants), 2014, acrylic on PVC panel
Kerry James Marshall, 2014

Untitled (Orange Pants)

Cecily Brown - Girl on a Swing #2, 2004, oil on linen
Cecily Brown, 2004

Girl on a Swing #2

Christopher Wool - Untitled, 1989, enamel and acrylic on aluminum
Christopher Wool, 1989

Untitled

Terry Winters - Set Diagram 59, 2000, oil on linen
Terry Winters, 2000

Set Diagram 59

Kara Walker - The White Power 'Gin/Machine to Harvest the Nativist Instinct for Beneficial Uses to Border Crossers Everywhere, 2019, soft pastel, charcoal, and oil sticks on paper; graphite and ink on paper
Joseph Beuys - Speisekuchen, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Speisekuchen

Takashi Murakami - My arms and legs rot off and though my blood rushes forth, the tranquility of my heart shall be prized above all. (Red blood, black blood, blood that is not blood), 2007, acrylic and platinum leaf on canvas mounted on board, signage in platinum and gold leaf
Takashi Murakami - Warp, 2009, acrylic, platinum leaf, and gold leaf on canvas mounted on aluminum frame
Takashi Murakami, 2009

Warp

On View
Imi Knoebel - vivit, 1987, acrylic on plywood, Limba and birch in three parts
Imi Knoebel, 1987

vivit

Robbie Conal - Freedom From Choice, 1992, offset lithographic poster
Robbie Conal, 1992

Freedom From Choice

Joseph Beuys - Objekt zum Schmieren und Drehen (Object to Smear and Turn), 1972, tin can, lubrication grease, screwdriver, oil paint (Browncross)
Annette Lemieux - Here Below, 1989, music sheets, resin and oil on canvas
Annette Lemieux, 1989

Here Below

Jeff Koons - Gazing Ball (Mailboxes), 2013, plaster and glass
Jeff Koons, 2013

Gazing Ball (Mailboxes)

Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978

Sandzeichnungen (Sand Drawings)

Tauba Auerbach - Grain: Slice/Maille I, 2015, acrylic on masonite with Baltic Birch cradle
Tauba Auerbach, 2015

Grain: Slice/Maille I

Joseph Beuys - in interfunktionen 3, 1969, offset; on page 83 of publication; magazine
Joseph Beuys, 1969

in interfunktionen 3

Terry Winters - Kink Instability, 1995, graphite on paper
Terry Winters, 1995

Kink Instability

Jenny Holzer - Thorax, 2008, 12 double-sided, curved LED signs (lower two signs with two elements each): white diodes on front; red & blue diodes
Jenny Holzer, 2008

Thorax

Amani Lewis - When all is lost, who do you run to?, 2022
On View