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Joseph Beuys - Fondazione per la rinascita dell'agricoltura (Foundation for the Rebirth of Agriculture), 1978, silkscreen on heavy cardboard, stamped
Joseph Beuys - Magnetischer Abfall (Magnetic Rubbish), 1975, magnetic steel casting
Joseph Beuys - Difesa della natura (Defense of Nature), 1982, lettering on heavy cloth
Thomas Houseago - Face Panel II (Landscape), 2012, bronze
Thomas Houseago, 2012

Face Panel II (Landscape)

Keith Haring - Red Room, 1988, acrylic on canvas
Keith Haring, 1988

Red Room

Cady Noland - MAKE A PICNIC OUT OF YOU, 1993, silkscreen ink on honeycomb aluminum
Cady Noland, 1993

MAKE A PICNIC OUT OF YOU

Pat York - Leo Castelli, 1991, iris print
Pat York, 1991

Leo Castelli

Joseph Beuys - Wirtschaftswert Signiertusche (Economic Value Signature Ink), 1983, block of signature ink in wrapper, with handwritten addition, and glass pen; in wooden box
John Baldessari - Noses & Ears, Etc.: The Gemini Series: Face with Nose and (Green) Ear, 2006, three-layer, six-color screenprint; mounted to Sintra and framed
Robert Rauschenberg - Quattro Mani Marrakech III, 2000, screenprint on paper
Robert Rauschenberg, 2000

Quattro Mani Marrakech III

Robert Longo - Untitled (Black Pussy Hat in Women's March), 2017, charcoal on mounted paper
Joseph Beuys - Suite Zirkulationszeit: Honigtopf (Suite Circulation Time: Honey Pot), 1982, etching and aquatint on white wove
Joseph Beuys - Lapis/arte, 1981, publication, stamped
Joseph Beuys, 1981

Lapis/arte

Robert Longo - Tongue to the Heart, 1984, acrylic and oil on wood, cast plaster, hammered lead on wood, durotran, acrylic on canvas
Robert Longo, 1984

Tongue to the Heart

Cindy Sherman - Untitled #196, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #196

Anselm Kiefer - Alarichs Grab [translation: Alaric's Grave], 1969-89, mixed media on treated lead mounted on original photograph in glazed steel frame
Ed Ruscha - Azteca / Azteca in Decline, 2007, acrylic on canvas, diptych
Ed Ruscha, 2007

Azteca / Azteca in Decline

Cindy Sherman - Untitled #311, 1994, Cibachrome
Cindy Sherman, 1994

Untitled #311

Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper
Julian Schnabel - The Walk Home, 1985, oil, plates, copper, bronze, fiberglass and Bondo on six wood panels
Julian Schnabel, 1985

The Walk Home

John Baldessari - The Spectator Is Compelled..., 1966 - 1968, photographic emulsion and acrylic on canvas
John Baldessari, 1966 - 1968

The Spectator Is Compelled...

Mark Grotjahn - Untitled (Butterfly with Eyes CB and SL 768), 2008, colored pencil and oil on paper
Joseph Beuys - Schamanentrommel aus der Suite Tränen (Shaman's Drum from Suite Tears), 1985, color etching and aquatint on thin paper laid down on gray wove
Ed Ruscha - Psycho Spaghetti Western #5, 2010, acrylic on canvas
Ed Ruscha, 2010

Psycho Spaghetti Western #5

On View
Cindy Sherman - Untitled #357, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #357

Roy Lichtenstein - Perfect Painting, 1986, oil and Magna on canvas
Roy Lichtenstein, 1986

Perfect Painting

Joseph Beuys - So kann die Parteiendiktatur überwunden werden (How the Dictatorship of the Parties Can Be Overcome), 1971, printed polyethylene shopping bag with information sheets and felt object
Joseph Beuys - Honigpumpe am Arbeitsplatz (Honeypump in the Workplace), 1977, offset on cardstock, stamps reproduced
Cy Twombly - Nini's Painting [Rome], 1971, oil based house paint, wax crayon, and lead pencil on canvas
Cy Twombly, 1971

Nini's Painting [Rome]

Amani Lewis - When all is lost, who do you run to?, 2022
On View