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Joseph Beuys - A Free Art Market, 1973/77, information sheet
Joseph Beuys, 1973/77

A Free Art Market

Mike Kelley - Twisted Shamrock (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Joseph Beuys - Das Wirtschaftswert-PRINZIP, 1981, three boxes with picture postcards, a bag of dried peas with handwritten addition; in cardboard box
Joseph Beuys, 1981

Das Wirtschaftswert-PRINZIP

Takashi Murakami - Nurse Ko2 (Original rendering by Nishi-E-Da, modeling by BOME and Genpachi Tokaimura, advised by Masahiko Asano, full scale sculpture by Lucky-Wide Co., Ltd.), 2011, carbon and urethane paint, transparent epoxy resin, eyeglasses, aluminum, book
On View
Mark Bradford - (Untitled) a.k.a. Gwen, 2005 - 2006, mixed media on canvas
Mark Bradford, 2005 - 2006

(Untitled) a.k.a. Gwen

Cy Twombly - Untitled, 2002, bronze
Cy Twombly, 2002

Untitled

Paul Pfeiffer - Four Horsemen of the Apocalypse #14, 2004, Fuji Digital chromogenic print
Jasper Johns - The Dutch Wives, 1977, silkscreen, 29 screens
Jasper Johns, 1977

The Dutch Wives

John Baldessari - Black and White Decision, 1984, four black and white photographs; mounted on board
John Baldessari, 1984

Black and White Decision

On View
Scott Burton - Bench and Table, 1989-90, polished granite
Scott Burton, 1989-90

Bench and Table

Andy Warhol - Campbell's Soup Can (Clam Chowder - Manhattan Style) [Ferus Type], 1962, casein and pencil on linen
Roy Lichtenstein - Female Figure, 1979, oil and Magna on canvas
Roy Lichtenstein, 1979

Female Figure

Joseph Beuys - Minneapolis-Fragmente (Minneapolis Fragments), 1977, lithograph on wove and pencil, stamped
Robbie Conal - Callame Con Un Gancho, 1992, offset lithographic poster
Robbie Conal, 1992

Callame Con Un Gancho

Sharon Lockhart - Pine Flat Portrait Studio, Jessie, Breanna, Kassie, Chance, 2005, four framed chromogenic prints
Cindy Sherman - Untitled #200, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #200

Cy Twombly - Camino Real (IV), 2010, acrylic on wood panel
Cy Twombly, 2010

Camino Real (IV)

Joseph Beuys - Hirsch-Fuß aus der Suite Tränen (Stag's Foot from Suite Tears), 1985, etching on thin paper laid down on gray wove
Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Fat Shine on Iron

Lari Pittman - Untitled #3, 2002, flat alkyd and spray paint on gessoed panel
Lari Pittman, 2002

Untitled #3

Cindy Sherman - Untitled Film Still #37, 1979, gelatin silver print
Cindy Sherman, 1979

Untitled Film Still #37

Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper
Jeff Wall - The Giant, 1992, transparency in lightbox
Jeff Wall, 1992

The Giant

Mike Kelley - Microcosm, 1988, acrylic on paper
Mike Kelley, 1988

Microcosm

Joseph Beuys - Schautafeln für den Unterricht I und II, 1971, two photographs mounted on cardboard; Board I with zinc plate, sulphur, and handwritten text
Cindy Sherman - Untitled #129, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #129

David McDermott and Peter McGough - The Ghost, 1985, oil on linen
David McDermott and Peter McGough, 1985

The Ghost

Thomas Struth - Neutral Buoyancy Lab, JSC, Houston, 2017, chromogenic print
Joseph Beuys - Der Unbesiegbare (The Invincible), 1979, poster, silkscreen on paper
Ellen Gallagher - DeLuxe, 2004-2005, a portfolio of 60 printed objects with aquatint, dry-point, photogravure, spitbite, lithography, silkscreen, embossing, tattoo machine engraving, laser-cutting, collage, crystals, cut paper, enamel, glitter, gold leaf, gouache, graphite, oil, Plasticine
Ellen Gallagher, 2004-2005

DeLuxe