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Christopher Wool - Untitled, 2008, enamel on linen
Christopher Wool, 2008

Untitled

John Currin - Patch and Pearl, 2006, oil on canvas
John Currin, 2006

Patch and Pearl

Joseph Beuys - Hasenblut (Hare's Blood), 1971, plastic envelope containing approx. four cc hare's blood, mounted with adhesive bandage on heavy paper
Joseph Beuys, 1971

Hasenblut (Hare's Blood)

Richard Artschwager - Destruction V, 1972, acrylic on Celotex, with metal frames, two panels
Richard Artschwager, 1972

Destruction V

Joseph Beuys - Nimm Foggia ernst, 1985, color offset on both sides of cardstock
Joseph Beuys, 1985

Nimm Foggia ernst

Joseph Beuys - 9 Postkarten: es gibt Leute (9 Postcards: There Are People), 1985, offset on cardstock, stamps reproduced
Joseph Beuys - Der Morgen III (The Morning III), 1982, offset on cardstock, stamps reproduced
John Baldessari - Black and White Decision, 1984, four black and white photographs; mounted on board
John Baldessari, 1984

Black and White Decision

Joseph Beuys - nicht von Joyce (Not by Joyce), 1984, metal sign with handwritten addition
Joseph Beuys, 1984

nicht von Joyce (Not by Joyce)

Leon Golub - 1985 - S. Africa, 1985, lithograph
Leon Golub, 1985

1985 - S. Africa

Timothy Greenfield‐Sanders - Portrait of Mike Kelley, 1991, black and white photograph
Timothy Greenfield‐Sanders, 1991

Portrait of Mike Kelley

Gregory Crewdson - Untitled, 1999, digital chromogenic print
Gregory Crewdson, 1999

Untitled

Joseph Beuys - Rückwärts (Backwards), 1977, Vorwärts newspaper, pen and pencil
Joseph Beuys, 1977

Rückwärts (Backwards)

Terry Winters - Schema (66), 1985-86, oil and graphite on paper
Terry Winters, 1985-86

Schema (66)

Andy Warhol - Twenty Jackies, 1964, silkscreen ink on linen
Andy Warhol, 1964

Twenty Jackies

On View
Timothy Greenfield‐Sanders - Portrait of Eric Fischl, 1986, black and white photograph
Timothy Greenfield‐Sanders, 1986

Portrait of Eric Fischl

Jeff Koons - Buster Keaton, 1988, polychromed wood
Jeff Koons, 1988

Buster Keaton

On View
Joseph Beuys - 9 Postkarten: Manifest (9 Postcards: Manifesto), 1985, offset on cardstock, stamps reproduced
Jean‐Michel Basquiat - Santo 2, 1982, acrylic, oilstick, and paper on canvas with exposed wood supports
Jean‐Michel Basquiat, 1982

Santo 2

On View
Susan Rothenberg - Bone Heads, 1989-90, oil on canvas
Susan Rothenberg, 1989-90

Bone Heads

Philip Taaffe - Vertebrae, 1987, silkscreen collage and acrylic on canvas
Philip Taaffe, 1987

Vertebrae

William Kentridge - The Refusal of Time, 2012, five-channel video installation with sound; four steel megaphones; breathing machine
William Kentridge, 2012

The Refusal of Time

Donald Judd - Untitled, 1970, copper
Donald Judd, 1970

Untitled

George Condo - Yellow Improvisation, 1985, pencil and oil on canvas
George Condo, 1985

Yellow Improvisation

Timothy Greenfield‐Sanders - Portrait of John Baldessari, 1987, black and white photograph
Timothy Greenfield‐Sanders, 1987

Portrait of John Baldessari

Joseph Beuys - Minneapolis-Fragmente (Minneapolis Fragments), 1977, lithograph on wove and pencil, stamped
Lari Pittman - Untitled #2, 2008, acrylic, Cel-vinyl, and aerosol lacquer on gessoed canvas over panel
Lari Pittman, 2008

Untitled #2

Joseph Beuys - Il pensiero della F.I.U. (The Thinking of the F.I.U.), 1978, silkscreen on cardstock
Joseph Beuys - Mirror-Piece (Mirror Piece), 1975, Flask, exterior lacquered, interior mirror-plated, with iodine crystal
Joseph Beuys, 1975

Mirror-Piece (Mirror Piece)

Joseph Beuys - Wirtschaftswert Schleuderhonig (Economic Value Strained Honey), 1979, tin can containing honey, with handwritten addition; stamped in blue (Bluecross)