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Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978

Sandzeichnungen (Sand Drawings)

Joseph Beuys - Suite Zirkulationszeit: Taucherin (Suite Circulation Time: Diving Girl), 1982, etching on white wove
John Baldessari - Carrot Soup, 2012, multi-color screenprint
John Baldessari, 2012

Carrot Soup

Meyer Vaisman - Untitled Turkey XIV, 1992, icelandic lambswool, chickenwire, stuffed turkey and mixed media on wood base
Meyer Vaisman, 1992

Untitled Turkey XIV

Joseph Beuys - Tropical Night, 1980, woodcut on wove
Joseph Beuys, 1980

Tropical Night

Joseph Beuys - Bonnefanten, 1977, proof sheets and misprintings of postcards. Color offset wth silkscreen and red ink
Joseph Beuys, 1977

Bonnefanten

Damien Hirst - The Last Supper, 1999, 13 color screenprints on Somerset paper
Damien Hirst, 1999

The Last Supper

Joseph Beuys - 5 Jahre zurück (5 Years Back), 1983, printer's proof sheet, with handwritten addition, stamped
Joseph Beuys, 1983

5 Jahre zurück (5 Years Back)

John Baldessari - Noses & Ears, Etc.: The Gemini Series: One Face (Three Versions) with Nose, Ear and Glasses, 2006, three-layer, 26-color screenprint; mounted to Sintra and framed
Frank Stella - Playskool Chair, 1983, patinated cast bronze, fabricated aluminum, copper, wood dowels, etched magnesium, and honeycomb aluminum, hand colored
Frank Stella, 1983

Playskool Chair

Robert Longo - Tongue to the Heart, 1984, acrylic and oil on wood, cast plaster, hammered lead on wood, durotran, acrylic on canvas
Robert Longo, 1984

Tongue to the Heart

Sherrie Levine - Untitled (The Bachelors: "Larbin"), 1989, frosted glass and vitrine
Sherrie Levine, 1989

Untitled (The Bachelors: "Larbin")

Damien Hirst - Autopsy with Sliced Human Brain, 2004, oil on canvas
Damien Hirst, 2004

Autopsy with Sliced Human Brain

Julian Schnabel - The Goddess of Reason, 1987, oil, gesso, banner on tarpaulin
Julian Schnabel, 1987

The Goddess of Reason

Joseph Beuys - Celtic + ~~~~, 1971, film (Super 8); ten photographs, bottle with gelatin, beeswax in cloth covered box, stamped with brown paint (Browncross)
Joseph Beuys, 1971

Celtic + ~~~~

Joseph Beuys - sich selbst (Oneself), 1977, offset print on cardstock
Joseph Beuys, 1977

sich selbst (Oneself)

Eric Fischl - The Travel of Romance: Scene V, 1994, oil on linen
Eric Fischl, 1994

The Travel of Romance: Scene V

Joseph Beuys - Suite Schwurhand: mit Fett gefüllte Skulptur (Suite Oath Hand: Fat-Filled Sculpture), 1980, aquatint and lithograph on paper laid down on gray Rives wove
Luc Tuymans - Conference Room, 2010, oil on canvas
Luc Tuymans, 2010

Conference Room

Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978

Sandzeichnungen (Sand Drawings)

Joseph Beuys - Die beste Stadt für Blinde, 1981, book by Jürg Federspiel, with inscriptions and copper wire added by Beuys
Joseph Beuys, 1981

Die beste Stadt für Blinde

Imi Knoebel - Figur 49, 1987, acrylic on wood
Imi Knoebel, 1987

Figur 49

Ed Ruscha - Boss, 1961, oil on canvas
Ed Ruscha, 1961

Boss

Thomas Struth - Semi Submersible Rig, DSME Shipyard, Geoje Island, 2007, chromogenic print
On View
Julian Schnabel - The Walk Home, 1985, oil, plates, copper, bronze, fiberglass and Bondo on six wood panels
Julian Schnabel, 1985

The Walk Home

Ed Ruscha - Psycho Spaghetti Western #5, 2010, acrylic on canvas
Ed Ruscha, 2010

Psycho Spaghetti Western #5

On View
Julie Mehretu - Congress, 2003, ink and acrylic on canvas
Julie Mehretu, 2003

Congress

On View
Joseph Beuys - doppelt doppelt, 1973, offset on paper, with handwritten supplement, stamped
Joseph Beuys, 1973

doppelt doppelt

John Baldessari - Car Flanked by Doubleman (Splashed Blue), 1990, three color photographs with vinyl paint and acrylic paint
Joseph Beuys - von Gloeden Postkarten: Peppino, 1978, offset on cardstock with pencil
Joseph Beuys, 1978

von Gloeden Postkarten: Peppino