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Ed Ruscha - The Old Tech-Chem Building, 2003, acrylic on canvas
Ed Ruscha, 2003

The Old Tech-Chem Building

On View
Imi Knoebel - vivit, 1987, acrylic on plywood, Limba and birch in three parts
Imi Knoebel, 1987

vivit

Joseph Beuys - POUR, 1974, special annual issue of the journal POUR, stamped
Joseph Beuys, 1974

POUR

Joseph Beuys - La zappa (The Hoe), 1978, wrought iron, olive wood with brand
Joseph Beuys, 1978

La zappa (The Hoe)

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Joseph Beuys - aus Saltoarte (from Saltoarte), 1975, polyethylene bag, printed with three offset prints
Joseph Beuys, 1975

aus Saltoarte (from Saltoarte)

Cindy Sherman - Untitled #569, 2016, dye sublimation metal print
Cindy Sherman, 2016

Untitled #569

Joseph Beuys - aus Hommage à Arthur Köpcke (from Hommage à Arthur Köpcke), 1980, color offset on art paper, stamped
Sharon Lockhart - Pine Flat Portrait Studio, Meleah, Travis, 2005, two framed chromogenic prints
Sharon Lockhart - Agnieszka, “MANIFESTO OF THE MILKY NIGHT,” Little Review no. 131 (4568), May 10, 1935, National Library of Poland, Warsaw, February 2, 2017, 2017, framed chromogenic print (panel A)
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974

Iphigenie-Set

Joseph Beuys - chinesischer Hasenzucker (Chinese Hare Sugar), 1979, color silkscreen on filing card, stamped
Neil Jenney - Aggression and Reinforcement, 1969, oil on canvas
Neil Jenney, 1969

Aggression and Reinforcement

Sayre Gomez - The Whole Wide World is a Haunted House, 2022, acrylic on canvas
Robert Therrien - No title (green hat on pedestal), 1984-85, oil-based enamel on bronze and wood
Robert Therrien, 1984-85

No title (green hat on pedestal)

Chuck Close - Cindy, 2006, Jacquard tapestry
Chuck Close, 2006

Cindy

Joseph Beuys - aus Frammenti Veneviani, 1980, silkscreen, graphite on black wove
Joseph Beuys, 1980

aus Frammenti Veneviani

Joseph Beuys - für Fußwaschung (For Footwashing), 1977, enamel basin, inscribed
Joseph Beuys - Suite Zirkulationszeit: junger Hase (Suite Circulation Time: Young Hare), 1982, etching and lithograph on white wove
Andreas Gursky - Kuwait Stock Exchange II, 2008, chromogenic print
Andreas Gursky, 2008

Kuwait Stock Exchange II

On View
Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Sigmar Polke - Homme Chantant la Marseillaise, 1989, mixed media on fabric
Sigmar Polke, 1989

Homme Chantant la Marseillaise

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Scott Burton - Settee, 1986-87, oak and ash
Scott Burton, 1986-87

Settee

Joseph Beuys - Suite Schwurhand: mit Fett gefüllte Skulptur (Suite Oath Hand: Fat-Filled Sculpture), 1980, aquatint and lithograph on paper laid down on gray Rives wove
Alex Israel - Self Portrait (Selfie and Studio Floor), 2014, acrylic and bondo on fiberglass
On View
Joseph Beuys - Manifest (Manifesto), 1979, silkscreen on gray cardboard
Joseph Beuys, 1979

Manifest (Manifesto)

Robert Rauschenberg - Untitled, 1954, oil, fabric and newspaper on canvas
Robert Rauschenberg, 1954

Untitled

On View
Mark Tansey - Four Forbidden Senses, 1982, oil on four canvas panels
Mark Tansey, 1982

Four Forbidden Senses

Joseph Beuys - Holzschnitte: Hirschkuh (Woodcuts:Hind), 1948/1973-74, woodcut, hand-printed in brown on wove, in portfolio
Joseph Beuys, 1948/1973-74

Holzschnitte: Hirschkuh (Woodcuts:Hind)