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Cindy Sherman - Untitled #225, 1990, chromogenic color print
Cindy Sherman, 1990

Untitled #225

Cindy Sherman - Untitled #205, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #205

Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper
Cindy Sherman - Untitled #364, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #364

Timothy Greenfield‐Sanders - Portrait of Mark Tansey, 1990, black and white photograph
Timothy Greenfield‐Sanders, 1990

Portrait of Mark Tansey

Joseph Beuys - ohne Titel, aus dem Fünf Lithographien (Untitled, from the portfolio Five Lithographs), 1977, lithograph on wove
Joseph Beuys - Suite Zirkulationszeit: Urschlitten 1 (Suite Circulation Time: Primeval Sleds 1), 1982, etching and drypoint on white wove
Joseph Beuys - ...bis die Maus im Haus ist, 1981, wooden box with glass cover, containing stamped photograph, shards of mirror and felt
Joseph Beuys, 1981

...bis die Maus im Haus ist

Cy Twombly - Untitled (The Mathematical Dream of Ashurbanipal), 2000 - 2009, bronze
Joseph Beuys - Erhard Klein unkonzentriert (Erhard Klein Unconcentrated), 1984, invitation card, stamped
Joan Miró - La Caresse d'un Oiseau, 1967, painted bronze (sand casting). Susse Fondeur, Arcueil, Paris
Joan Miró, 1967

La Caresse d'un Oiseau

Jeffrey Gibson - THE RETURNED MALE STUDENT FAR TOO FREQUENTLY GOES BACK TO THE RESERVATION AND FALLS INTO THE OLD CUSTOM OF LETTING HIS HAIR GROW LONG, 2024, acrylic on canvas, glass beads, plastic beads, inset in custom wood frame
William Kentridge - Sobriety, Obesity and Growing Old, 1991, 16mm animated film
William Kentridge, 1991

Sobriety, Obesity and Growing Old

Roy Lichtenstein - River Valley, 1985, oil and Magna on canvas
Roy Lichtenstein, 1985

River Valley

Joseph Beuys - Ölflasche (Oil Bottle), 1984, two bottles of olive oil, one with printed white label and one with printed gold label
Joseph Beuys, 1984

Ölflasche (Oil Bottle)

Alexander Calder - Untitled, unknown, print
Alexander Calder, unknown

Untitled

Joseph Beuys - Magnetische Postkarte (Magnetic Postcard), 1975, sheet iron with raised, impressed lettering, magnet, stamped
Joseph Beuys - gelbe Bilder (Yellow Pictures), 1977-85, used packing paper, with handwritten addition, stamped
Joseph Beuys, 1977-85

gelbe Bilder (Yellow Pictures)

Jeff Koons - Metallic Venus, 2010 - 2012, mirror-polished stainless steel with transparent color coating and live flowering plants
Jeff Koons, 2010 - 2012

Metallic Venus

Joseph Beuys - Die Wärmezeitmaschine (The Warmth-Time Machine), 1975, proof sheet for postcards
John Baldessari - Seashells/Tridents/Frames, 1988, five black and white photographs with oil tint and vinyl paint
John Baldessari, 1988

Seashells/Tridents/Frames

Julie Mehretu - Six Bardos: Hymn (Behind the Sun), 2018, 25 color aquatint
Julie Mehretu, 2018

Six Bardos: Hymn (Behind the Sun)

John Baldessari - White Truffle Soup, 2012, multi-color screenprint
John Baldessari, 2012

White Truffle Soup

Joseph Beuys - Rückenstütze eines feingliederigen Menschen (Hasentypus) aus dem 20. Jahrhundert p. Chr. (Backrest for a Fine-Limbed Person (Hare-Type) of the 20th Century A.D.), 1972, iron casting
Cindy Sherman - Untitled #403, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #403

Charles Ray - Fall '91, 1992, mixed media
Charles Ray, 1992

Fall '91

Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Joseph Beuys - Collezione di grafica: Untitled, 1982, etching on wove, stamped
Joseph Beuys, 1982

Collezione di grafica: Untitled

Joseph Beuys - Das halbe Filzkreuz über Köln (The Half Felt Cross over Cologne), 1974, offset on cardstock, stamps reproduced
Ed Ruscha - Blue Collar Tech-Chem, 1992, acrylic on canvas
Ed Ruscha, 1992

Blue Collar Tech-Chem

On View