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David Salle - Savagery and Misrepresentation, 1981, acrylic on canvas
David Salle, 1981

Savagery and Misrepresentation

Joseph Beuys - Entfernter Schauplatz, 1980, 50 offset prints
Joseph Beuys, 1980

Entfernter Schauplatz

Robert Rauschenberg - Untitled, ca. 1954, combine: oil, fabric, newspaper, and charcoal collage with light bulb and two Crookes radiometers on wood structure
Robert Rauschenberg, ca. 1954

Untitled

Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83

Photo-Editionen (Photo Editions)

Jasper Johns - Decoy, 1971, lithograph with die cut
Jasper Johns, 1971

Decoy

William Kentridge - Johannesburg - Second Greatest City after Paris, 1989, 16mm animated film
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper
Eric Fischl - The Travel of Romance: Scene I, 1994, oil on linen
Eric Fischl, 1994

The Travel of Romance: Scene I

Cindy Sherman - Untitled #461, 2007/2008, chromogenic color print
Cindy Sherman, 2007/2008

Untitled #461

Mark Tansey - Wake, 2003, oil on canvas
Mark Tansey, 2003

Wake

Ed Ruscha - Gilded, Marbled, and Foibled, 2011 - 2012, acrylic on canvas
Ed Ruscha, 2011 - 2012

Gilded, Marbled, and Foibled

On View
Joseph Beuys - Ufo, 1984, silkscreen on paper
Joseph Beuys, 1984

Ufo

Cindy Sherman - Untitled #404, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #404

Joseph Beuys - Suite Zirkulationszeit: Kopf H.B. (Suite Circulation Time: Head H.B.), 1982, etching on white wove
Joseph Beuys - Die Wärmezeitmaschine (The Warmth-Time Machine), 1975, proof sheet for postcards
Cindy Sherman - Untitled #205, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #205

Joseph Beuys - Schwefelpostkarte (Sulphur Postcard), 1984, galvanized iron plate, one side covered with sulphur, the other printed
William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Joseph Beuys - Riesenziegen aus der Suite Tränen (Giant Goats from Suite Tears), 1985, etching on thin paper laid down on gray wove
Cindy Sherman - Untitled #374, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #374

Imi Knoebel - Figur 48, 1987, acrylic and lacquer on wood
Imi Knoebel, 1987

Figur 48

Joseph Beuys - chinesischer Hasenzucker (Chinese Hare Sugar), 1979, color silkscreen on filing card, stamped
Joseph Beuys - Hasenblut (Hare's Blood), 1971, plastic envelope containing approx. four cc hare's blood, mounted with adhesive bandage on heavy paper
Joseph Beuys, 1971

Hasenblut (Hare's Blood)

Louise Lawler - Egg and Gun, 2008, Cibachrome face mounted to Plexi on museum box
Louise Lawler, 2008

Egg and Gun

Anselm Kiefer - Nürnberg, 1982, oil, straw, and mixed media on canvas
Anselm Kiefer, 1982

Nürnberg

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Joseph Beuys - Triptychon: Constellation of the Dipper, 1981, lithograph on cardstock
Joseph Beuys - L'arte è una zanzara dalle mille ali (Art is a mosquito with a thousand wings), 1981, one of four photoetchings on wove in cloth portfolio
Leon Golub - Pinochet Saluting, 1977, acrylic on burlap
Leon Golub, 1977

Pinochet Saluting

Sharon Lockhart - Pine Flat Portrait Studio, Mikey, Sierra, 2005, two framed chromogenic prints