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Joseph Beuys - EIN-STEIN-ZEIT (EIN-STEIN-TIME), 1984, silkscreen on zinc
Joseph Beuys, 1984
EIN-STEIN-ZEIT (EIN-STEIN-TIME)
Joan Miró - Painting, March 13, 1933, 1933, oil on canvas
Joan Miró, 1933
Painting, March 13, 1933
Joseph Beuys - Erdtelephon (Earth Telephone), 1973, silkscreen on felt board
Joseph Beuys, 1973
Erdtelephon (Earth Telephone)
Anselm Kiefer - Dein Goldenes Haar, Margarete, 1983, watercolor on paper
Anselm Kiefer, 1983
Dein Goldenes Haar, Margarete
Joseph Beuys - DM 90,000, 1982, facsimile prints in iron frame with glass
Joseph Beuys, 1982
DM 90,000
Richard Artschwager - Night Watch, 1999, charcoal, acrylic on fiber panel, and wood
Richard Artschwager, 1999
Night Watch
Cindy Sherman - Untitled #196, 1989, chromogenic color print
Cindy Sherman, 1989
Untitled #196
Jeff Koons - Tulips, 1995-2004, mirror-polished stainless steel with transparent color coating
Jeff Koons, 1995-2004
Tulips
On View
John Currin - Anna, 2004, oil on canvas
John Currin, 2004
Anna
Cindy Sherman - Untitled #209, 1989, chromogenic color print
Cindy Sherman, 1989
Untitled #209
Joseph Beuys - Goldkuchen (Gold Cake), 1982, color offset on offset paper
Joseph Beuys, 1982
Goldkuchen (Gold Cake)
Cindy Sherman - Untitled #373, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000
Untitled #373
Glenn Ligon - Untitled: Four Etchings, 1992, four softground etching, aquatint, spit bite and sugarlifts on paper
Glenn Ligon, 1992
Untitled: Four Etchings
Ed Ruscha - Blue Collar Tech-Chem, 1992, acrylic on canvas
Ed Ruscha, 1992
Blue Collar Tech-Chem
George Condo - His Green Ear, 1985, oil on canvas
George Condo, 1985
His Green Ear
Keith Haring - Untitled, 1984, acrylic on canvas
Keith Haring, 1984
Untitled
John Baldessari - Car Flanked by Doubleman (Splashed Blue), 1990, three color photographs with vinyl paint and acrylic paint
Joseph Beuys - für Blinky (For Blinky), 1980, silkscreen on cardstock with handwritten addition
Joseph Beuys, 1980
für Blinky (For Blinky)
James Rosenquist - F-111, 1974, four lithographs with screenprint in colors on Arches
James Rosenquist, 1974
F-111
Kara Walker - The White Power 'Gin/Machine to Harvest the Nativist Instinct for Beneficial Uses to Border Crossers Everywhere, 2019, soft pastel, charcoal, and oil sticks on paper; graphite and ink on paper
Glenn Ligon - Double America 2, 2014, neon and paint
Glenn Ligon, 2014
Double America 2
Cindy Sherman - Untitled #120, 1983, chromogenic color print
Cindy Sherman, 1983
Untitled #120
Joseph Beuys - Wohlbefinden (Well-Being), 1982, customer survey card, with handwritten text
Joseph Beuys, 1982
Wohlbefinden (Well-Being)
Ellen Gallagher - eXelento, 2004, ink, paper, Plasticine and resin on canvas
Ellen Gallagher, 2004
eXelento
On View
Joseph Beuys - Freier Demokratischer Sozialismus (Free Democratic Socialism), 1971, writing paper with printed letterhead and handwritten text
Joseph Beuys - ohne Titel, aus dem Fünf Lithographien (Untitled, from the portfolio Five Lithographs), 1977, lithograph on wove
Barbara Kruger - Twelve, 2004, four screen video projection
Barbara Kruger, 2004
Twelve
Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper
William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Thomas Houseago - Giant Figure (Cyclops), 2011, bronze
Thomas Houseago, 2011
Giant Figure (Cyclops)