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Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Joseph Beuys - Hasenzucker (Hare Sugar), 1972, silkscreen on cardstock; sugar cubes, stamped, in cardboard box with cotton wool
Joseph Beuys, 1972

Hasenzucker (Hare Sugar)

Joseph Beuys - Zeichnungen II 1946-1971, 1973, paperbound catalogue with 153 full-page reproductions, offset on newsprint
Joseph Beuys, 1973

Zeichnungen II 1946-1971

Ed Ruscha - Blue Collar Tech-Chem, 1992, acrylic on canvas
Ed Ruscha, 1992

Blue Collar Tech-Chem

Keith Haring - Untitled, 1982, baked enamel on metal
Keith Haring, 1982

Untitled

Richard Artschwager - Double Console, 1988, painted wood, rubberized hair and plated steel
Richard Artschwager, 1988

Double Console

William Kentridge - Sobriety, Obesity and Growing Old, 1991, 16mm animated film
William Kentridge, 1991

Sobriety, Obesity and Growing Old

Joseph Beuys - Suite Zirkulationszeit: tote Hirsche (Suite Circulation Time: Dead Stags), 1982, etching on white wove
Cy Twombly - Untitled [Gaeta], 2007, acrylic, wax crayon, lead pencil on wooden panel
Cy Twombly, 2007

Untitled [Gaeta]

Cindy Sherman - Untitled #396, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #396

Jack Goldstein - Untitled (#61 Burning City), 1981, acrylic on canvas
Jack Goldstein, 1981

Untitled (#61 Burning City)

Cindy Sherman - Untitled #200, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #200

Joseph Beuys - Suite Schwurhand: Foetus, 1980, etching, aquatint and lithograph on paper laid down on gray Rives wove
Joseph Beuys, 1980

Suite Schwurhand: Foetus

Chuck Close - Cindy, 2006, Jacquard tapestry
Chuck Close, 2006

Cindy

Joseph Beuys - Hasenstein (Hare Stone), 1982, Basalt with gold spray paint
Joseph Beuys, 1982

Hasenstein (Hare Stone)

Joseph Beuys - Lampe Loch rot (Lamp/Hole/Red), 1976-79, oil paint and pencil on paper
Joseph Beuys, 1976-79

Lampe Loch rot (Lamp/Hole/Red)

Joseph Beuys - ohne Titel, aus dem Fünf Lithographien (Untitled, from the portfolio Five Lithographs), 1977, lithograph on wove
Joseph Beuys - Cosmos und Damian 3-D (Cosmos and Damian 3-D), 1974, 3-D color postcard, inscribed
Richard Artschwager - Door, 1990, Formica on wood with chrome-plated brass
Richard Artschwager, 1990

Door

Jasper Johns - Untitled, 1994, lithograph, eight plates
Jasper Johns, 1994

Untitled

Lari Pittman - With appreciation, I will have had understood the decorum of my mobility, 1999, acrylic, alkyd and aerosol on mahogany panel
Kara Walker - The White Power 'Gin/Machine to Harvest the Nativist Instinct for Beneficial Uses to Border Crossers Everywhere, 2019, soft pastel, charcoal, and oil sticks on paper; graphite and ink on paper
Sam Francis - White #4, 1950-51, oil on canvas
Sam Francis, 1950-51

White #4

Ed Ruscha - THEY COULDN'T DO NO BETTER, 2011, acrylic on vellum
Ed Ruscha, 2011

THEY COULDN'T DO NO BETTER

David Salle - Dusting Powders, 1986, acrylic and oil on two canvas panels with wooden chair
David Salle, 1986

Dusting Powders

William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Donald Judd - Untitled, 1970, copper
Donald Judd, 1970

Untitled

Joseph Beuys - Guten Einkauf (Good Shopping), 1984, two peridodicals (ZEIT-magazin, Neues Deutschland), paper bag, and package of cleanser, stamped; in box
Joseph Beuys, 1984

Guten Einkauf (Good Shopping)

Sharon Lockhart - Enrique Nava Enedina: Oaxaca Exhibit Hall, National Museum of Anthropology, Mexico City, 1999, three framed chromogenic prints
Alexander Calder - The S-Shaped Vine, 1946, painted sheet metal and wire
Alexander Calder, 1946

The S-Shaped Vine