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Jeff Koons - Triple Hulk Elvis II, 2007, oil on canvas
Jeff Koons, 2007

Triple Hulk Elvis II

On View
Joseph Beuys - Schafskelett aus der Suite Tränen (Sheep's Skeleton from Suite Tears), 1985, etching on thin paper laid down on gray wove
Cindy Sherman - Untitled #413, 2003, chromogenic color print
Cindy Sherman, 2003

Untitled #413

Joseph Beuys - Der Morgen III (The Morning III), 1982, offset on cardstock, stamps reproduced
Cindy Sherman - Untitled Film Still #07, 1978, gelatin silver print
Cindy Sherman, 1978

Untitled Film Still #07

Jeff Koons - New Hoover Deluxe Shampoo Polishers, New Shelton Wet/Dry 5-Gallon Displaced Quadradecker, 1981-1987, six shampoo polishers, vacuum cleaner, acrylic, fluorescent lights
Gregory Crewdson - The Disturbance, 2014, digital pigment print
Gregory Crewdson, 2014

The Disturbance

Julian Schnabel - Self-Portrait in Andy's Shadow, 1987, oil, plates and Bondo on two wood panels
Julian Schnabel, 1987

Self-Portrait in Andy's Shadow

John Ahearn and Rigoberto Torres - Pat and Selena at Play, 1983, oil on reinforced polyadam
John Ahearn and Rigoberto Torres, 1983

Pat and Selena at Play

Joseph Beuys - Hasengrab II (Hare's Grave II), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Hasengrab II (Hare's Grave II)

Ed Ruscha - ESPANA GRANDE, 1961, ink, oil, and collage on paper
Ed Ruscha, 1961

ESPANA GRANDE

Lari Pittman - Where the Soul Intact Will Shed Its Scabs (8624 A.D.), 1987-88, acrylic on wood panel
David Salle - Dusting Powders, 1986, acrylic and oil on two canvas panels with wooden chair
David Salle, 1986

Dusting Powders

Joseph Beuys - Hasenmenu, 1980, printed menu
Joseph Beuys, 1980

Hasenmenu

Robert Therrien - No title (bowl / hat), 1985, oil on canvas mounted on wood
Robert Therrien, 1985

No title (bowl / hat)

Günther Förg - Villa Malaparte, Capri, 1987, black and white photograph
Günther Förg, 1987

Villa Malaparte, Capri

On View
Mike Kelley - Flower of Architecture, 1986, acrylic on paper mounted on canvas
Mike Kelley, 1986

Flower of Architecture

Joseph Beuys - Hasengrab I (Hare's Grave I), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Hasengrab I (Hare's Grave I)

Joseph Beuys - Hasenstein (Hare Stone), 1982, Basalt with gold spray paint
Joseph Beuys, 1982

Hasenstein (Hare Stone)

Robert Longo - Untitled (Men in the Cities: Ellen), 1981, charcoal and graphite on paper
Joseph Beuys - Gesundheitshelfer (Health Helper), 1979, plastic sign with handwritten addition
Robbie Conal - Taken Out and Shot, 1991, offset lithographic poster
Robbie Conal, 1991

Taken Out and Shot

Joseph Beuys - aus Frammenti Veneviani, 1980, silkscreen, graphite on black wove
Joseph Beuys, 1980

aus Frammenti Veneviani

Joseph Beuys - ohne Titel, aus dem Fünf Lithographien (Untitled, from the portfolio Five Lithographs), 1977, lithograph on wove
Julie Mehretu - Invisible Sun (algorithm 8, fable form), 2015, ink and acrylic on canvas
Christopher Wool - Why?, 1990, enamel on aluminum
Christopher Wool, 1990

Why?

Joseph Beuys - Hirsch-Fuß aus der Suite Tränen (Stag's Foot from Suite Tears), 1985, etching on thin paper laid down on gray wove
Joseph Beuys - Freitagsobjekt "1a gebratene Fischgräte (Hering)" (Friday Object “1st-Class Fried Fish Bones (Herring)”), 1970, fishbone and greaseproof paper, inscribed and stamped, in glass-fronted wooden box
Jasper Johns - Untitled, 1992-94, encaustic on canvas
Jasper Johns, 1992-94

Untitled

Charles Ray - Table, 1990, Plexiglas and steel
Charles Ray, 1990

Table