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new on view the collection browse by artist
Joseph Beuys - Die Leute sind ganz prima in Foggia, 1974, book with 75 silkscreens on brown cardstock
Sherrie Levine - After Walker Evans, 1987, black and white photograph
Sherrie Levine, 1987

After Walker Evans

Piotr Uklanski - The Nazis, 1998, chromogenic black and white and color photographs mounted on panels, in 164 parts
Piotr Uklanski, 1998

The Nazis

Richard Artschwager - Northwest Passage, 1994, acrylic and Formica, Celotex and wood in artist's frame
Richard Artschwager, 1994

Northwest Passage

Joseph Beuys - Phosphor-Kreuzschlitten (Phosphorus-Cross Sled), 1972, phosphorus between vinyl sheets with metal clamp
Robert Longo - Walk, 1986, lead, wood, oil and plastic paint on aluminum; plexiglass
Robert Longo, 1986

Walk

Andy Warhol - Dead Stop, 1958, ink on paper
Andy Warhol, 1958

Dead Stop

David Salle - Untitled (Watermelon), 1999, oil and acrylic on two linen panels
David Salle, 1999

Untitled (Watermelon)

Jasper Johns - Corpse and Mirror, 1976, silkscreen, 36 screens
Jasper Johns, 1976

Corpse and Mirror

Jasper Johns - Flags II, 1973, silkscreen, 30 screens
Jasper Johns, 1973

Flags II

Gregory Crewdson - Untitled (09), 2009, digital pigment print
Gregory Crewdson, 2009

Untitled (09)

Jasper Johns - Savarin 1 (Cookie), 1978, lithograph on Richard de Bas paper
Jasper Johns, 1978

Savarin 1 (Cookie)

John Ahearn and Rigoberto Torres - Pedro with Tire, 1984, painted cast plaster
John Ahearn and Rigoberto Torres, 1984

Pedro with Tire

Joseph Beuys - Suite Zirkulationszeit: Meerengel die Seegurke (Suite Circulation Time: Sea Angel Sea Cucumber), 1982, etching and aquatint on white wove
Ed Ruscha - IN THE BEGINNING, 2011, acrylic on vellum
Ed Ruscha, 2011

IN THE BEGINNING

Tom Otterness - Soft Money, 2000, bronze
Tom Otterness, 2000

Soft Money

Nathaniel Mary Quinn - Pure Insecurity, 2019, oil paint, paint stick, gouache, soft pastel on linen canvas
Nathaniel Mary Quinn, 2019

Pure Insecurity

Joseph Beuys - Klanggebilde (Tune Formation), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Klanggebilde (Tune Formation)

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Cindy Sherman - Untitled #98, 1982, chromogenic color print
Cindy Sherman, 1982

Untitled #98

On View
Thomas Struth - Audience 4 (Galleria Dell'Accademia), Florenz, 2004, chromogenic print
Timothy Greenfield‐Sanders - Portrait of Chuck Close, 1987, black and white photograph
Timothy Greenfield‐Sanders, 1987

Portrait of Chuck Close

Terry Winters - Branching Structures, 1996, oil, alkyd resin, mica, graphite on linen
Terry Winters, 1996

Branching Structures

Mickalene Thomas - Le Déjeuner sur l'herbe les Trois Femmes Noires d'aprés Picasso, 2022, rhinestones and acrylic paint on canvas mounted on wood panel
On View
Paul Pfeiffer - Desiderata, 2004, digital video loop, portable DVD player
Paul Pfeiffer, 2004

Desiderata

Peter Halley - Initial Sequence, 1987, acrylic, fluorescent acrylic and Roll-A-Tex on canvas
Peter Halley, 1987

Initial Sequence

Sam Francis - Why Then Opened II, 1962-63, oil and acrylic on canvas
Sam Francis, 1962-63

Why Then Opened II

Joseph Beuys - Der Mann am Haupthebel (The Man at the Main Lever), 1985, offset on cardstock, stamps reproduced
Gregory Crewdson - Untitled, Winter 2006, digital pigment print
Gregory Crewdson, Winter 2006

Untitled

Andy Warhol - Liz [Early Colored Liz], 1963, synthetic polymer and silkscreen ink on canvas
Andy Warhol, 1963

Liz [Early Colored Liz]